Music & Randomness@ Your Fingertips
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(Contributor’s Note: I have an admission, a confession, a non-guilty open statement I have to get off my chest. I have not really listened to Death Metal since the mid-90s. Why? Because in my opinion, it just wasn’t the same. I now see that I did miss out on some good bands that came after that time frame/era, but my decision to stay away from the genre that everybody called “satanic” from that time until now is a decision I stand behind. I just never felt that music that made my blood boil, my head bang, my neck snap coming after the mid-90s was as good as it was from the early 80s. I lost interest. Things have been different since April of this year when I first heard Spine Extraction. I had not heard even an inkling of that old school Death feel until I saw their FB page on another band’s “Like” section. Holy shit! I knew I had to write a “Take A Listen” on them. To me, and in my opinion, Spine Extraction takes me back there…big time. The best self-description of a band is this band’s…”Fucking brutal.” There is no denying their power. There is no denying their passion. There is no denying that without even vocalizing a single word, they command your mind to bang the fuck outta your head. I’m obviously not as young as I used to be back in the day (and I don’t have the long hair anymore), and with some of my own physical issues, I still find myself wanting to feel that aggression in my body. To bang the old noggin. To feel the neck strain the next day. Thank you, Spine Extraction. So, I wrote the original article and eventually swallowed my pride to actually ask for an interview. With their busy schedule, and the things going on on my side, I finally got this chance. So, please read and enjoy my interview with Jarrod Bryant. Rock on)

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OverkillWFO-Hey Jarrod, thank you for taking the time to do this interview with me for The Monk’s House. I’ve been wanting this for some time, so you and your time are greatly appreciated. Please tell our readers and your fans a little bit about you, and please introduce us to the rest of the band.

Jarrod Bryant-I’m just a metalhead attempting to live the dream (laughs). Tripp King is our vocalist and Josh Bowen is the drummer.  Right now, we are just three strong – our other two members bailed on us due to personal reasons in their lives. Our three founding members will always be the same. It was these three members that wrote and recorded the self-titled album. I actually played bass on the album.

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OKWFO-That’s cool. Keep forging ahead. What hooked me into checking you guys out several months ago was the explanation of being “fucking brutal.” That, in itself, drew me in. I know there is more depth to the band, so please explain your sound, and what might bring more people interested to check you guys out. Do you agree or disagree with the assessment I gave about you guys having a killer “old school” Death Metal-esque feel?

JB-I totally agree about the death metal aspect! We are fans of many sub-genres of metal. We pull from Death, Melodic Death, Thrash, Black Metal, NuMetal, Metalcore, Deathcore, Industrial Metal – any aggressive metal. We have a variety of fans ranging from young people who love “The Acacia Strain” to old schoolers comparing us to “Cannibal Corpse” at times.

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OKWFO-Nice. When I first liked your Facebook fanpage, you had just under 300 “Likes”. Here we are a few months later and you have over 3,300. Can you tell us how this awesome rise has happened?

JB-I think it may have happened because our fans on Twitter. They are spreading word about Spine Extraction like wildfire. Last time I checked, we had 8,000 followers on Twitter. We are getting really great response worldwide from fans.

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OKWFO-Your first album just got released on August 1st. Please talk, or brag, about what people can expect out of the album itself. How many songs? How is the album doing? Do you have a favorite off the album you like to play live over any others?

JB-People can expect the other tracks to hit just as hard as the tracks online. The album is kind of short – 8 tracks – but not short in the light that it is an independent release. We are not signed to a label and are doing everything on our own. We plan to make our 2nd album pretty long. I really like playing Fleshless and Eternity Awaits live.

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OKWFO-I hope to see you guys live one day. How insane are your live shows? Where can readers and fans see you guys live over the next several months?

JB-Our live shows are mostly pretty high energy. People fucking it up in the pit. It’s a cool feeling when you know you are creating the energy people are fucking shit up to. We have shows scheduled across North Carolina and South Carolina over the next few months. See our ReverbNation or Facebook for details.

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OKWFO-Please give the readers places online to check you guys out – the best places to find out information about the band and album, and anywhere to purchase the album.

JB-Please buy our album on CDBaby.com. They will give us larger profits then iTunes or any other digital distributions. Here is a link: http://www.cdbaby.com/cd/spineextraction
Our other Spine Extraction page links:
Facebook: http://www.facebook.com/pages/Spine-Extraction/152390211438377
ReverbNation: http://www.reverbnation.com/spineextraction
Twitter: http://twitter.com/#!/spineextraction
YouTube: http://www.youtube.com/user/SpineExtraction

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OKWFO-Here is your time to discuss or bring up anything I might have missed or anything else you want to talk about.

JB-I just want our fans to know we are humble and want you all to know how much we appreciate what you do for us. Kickass fans like yourself, Matt. You guys are helping to inform other metal heads about us. Our fans are the fucking best!

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OKWFO-Again, I truly thank you for doing this. The fan base is growing at an awesome rate, and I am looking forward to how far you guys go. Keep doing what you guys do by keeping it brutal. Take care, man.

JB-Thank you.

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Please show Spine Extraction your love and support and keep it, “Fucking brutal!!!” (Note: Since this interview, the band has brought another skilled guitarist into the band)

My personal favorite – Suppressing the Rage

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(Contributor’s Note: Yvonne did it again! From what little bit I knew about Back From Ashes before vocalist Jason Hobel phoned me the other day, I had immediately took a huge liking to the band and their music. It’s right up my alley and love for different/diverse forms of hard, good Metal. So, Jason called me at the exact time, and it was on. Just like any other interview I have done, my nerves hit me like a ton of bricks, but right off the bat (before we even dove into the questions), he eased the hell outta me. Thanks, man. The soft-spoken, heartfelt, and humorous frontman is a breath of fresh air to the always chaotic world of music nowadays. Jason is just as passionate about all their fans (and fans yet to come) as he is about putting out a great record. The dude is a true musician Give these guys props, and please enjoy the conversation we had. Rock on)

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OverkillWFO-Let me please say thank you for agreeing to do this interview with me for The Monk’s House. I have been really looking forward to speaking with anybody from the band, so I do appreciate you.

Jason Hobel-Oh yeah, not a problem, brother. Thank you for this.

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OKWFO-If you would please, introduce yourself to our readers.

JH-Okay, I am Jason Hobel, and I am the singer for Back From Ashes. I started the band along with Mikey. We’ve been in it for a while, and actually Mikey and I found each other back in ’03. We started working on things for a couple of years, and then Back From Ashes was born, and we’ve been at it ever since.

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OKWFO-So when exactly did you guys form?

JH-Well, it’s actually kind of funny. We started out as a different name. We were a band called Sleeper Cell, and then we found out quickly that there were about 30 million bands with the same name (laughs from both of us). And, we were like, “Okay well, that’s not gonna work.” So, that was back in ’05, and we held that name for awhile, but we didn’t really put anything out under the name. So technically, we’ve been together since ’05, about six years now.

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OKWFO-That’s cool. Can you give a short bio on each member and their roll to introduce everybody?

JH-Sure. Sure. We’ve got Anthony DeJesus, and he is our guitar player, and we have Mike Butikofer, who’s our other guitar player. Then we’ve got Dave, who plays bass, and ya know Matt, kill me now, I can’t remember Dave’s last name for the life of me at the moment (laughs). It’s been a long day, man.

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OKWFO-(laughing) I’m sure every day is a long day.

JH-Yeah! We’ve got a drummer we’re playing with, Dan Johnson, and that’s our band right now.

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OKWFO-While doing some research on the band, I ran across some statements about the band being called “Phoenix Core”, as whoever wrote that says you cannot be put into any specific genre. Have you ever heard of this?

JH-(laughs) Yes, I have. We’re kind of a cross-breed of genres. If you’ve heard us, you would probably agree. We take elements of all kinds of music and blend it together. We’ve got our background in Metal, and our background in Rock, and Blues, and Jazz, and Death Metal, and all this stuff that each member brings to the table. Through that, we kind of developed our own kind of thing. It’s really funny, we were doing this a few years back, and now bands are starting to do the same thing, not that we we’re originators or anything, but we like to take the best of the best and put it into a song. It’s not by design, it just kind of happens that way. I think that’s because of all of our diverse backgrounds in music, so it’s hard to categorize us. Are we a Metal band? Are we a Rock band? Are we an Industrial band? I think we’re all of that.

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OKWFO-Yeah, if you’re a mix of all the genres, who then would be some of your influences from all the different genres you throw into your music?

JH-Like I said, we all come from such a diverse background. Like Anthony, he loves like Viking Metal and stuff like Savatage and bands like that. Where I come from is more of a Rock background and Blues. My dad is a Blues musician. So, I’ve got that whole Rock and Blues thing from when I grew up. I listened to everything from Classic Rock to Hair Metal, ya know Hair Rock, the pretty boys back in the day-Poison, Warrant, Bon Jovi, and all that. It’s everything from Etta James to B.B. King and so on. Then you got Dave, who likes Cannibal Corpse, and all these hardcore bands. It’s interesting because we listen to different things. Mikey is more of the old school Thrash Metal bands. It is what it is. It comes together in this unique style. Like I said, we don’t set out to be that way, it just ends up that way, and we couldn’t be more thankful for it.

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OKWFO-Yeah, and you guys sound good doing it. I absolutely dig every single song I’ve heard. Just a regular fan might pick up the album and not really know what to expect, they can hear everything in there, and that’s cool, how you guys put all the influences in there together.

JH-Yeah absolutely. Ya know, we’re thankful for it. We joke around, we say we would suck at any one of those genres if we tried to do it specifically (laughs from both of us), but when we throw it all together, it works out great.

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OKWFO-That’s awesome. I love that. I kinda know the history on this story, but I’d like to hear it from you. Could you please tell me and the readers about Capo?

JH-Yeah Capo. Capo is one of the super fans. We do a lot of shows out in Texas. He had come and seen us play. I think he was a fan online before he saw us for the first time. He’s got some medical issues, and the kid is one of those guys that really inspires you. When you think you’re having a bad day, and you look over, and you’re like, “Well shit. It’s not near as bad as it could be.” Capo is just one of those kids, he tattooed his whole front torso with our logo and is just a super fan and super guy. He’s confined to a wheelchair and has a degenerative muscle disease. It’s really heartbreaking, but at the same time, it’s also very uplifting in the sense that you have somebody like that, who is a fan of yours, that pulls in your music that gives him inspiration to keep going forward, and in turn, gives us inspiration to keep moving forward. Things like that are huge for us and huge for fans. So, he’s become a really close and dear friend of ours. We’ve done fundraisers for him and things like that. He’s just a great kid all around, so we do everything we can to help him out.

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OKWFO-Hell yeah. I saw those picture on Facebook and quizzed Yvonne to find out if I could ask you about it. She goes, “Oh hell yeah. Ask him about it.” I wanted to because it’s a really cool story to do that for any kid that is such a huge fan of yours, it means the world to a lot of people. A band, or anybody, who has a name behind them to do that for a fan is really awesome. My hat’s off to you because that is something great.

JH-Thank you. Another thing though for us, too, we like to think of ourselves as kind of a “street-level” band in the sense that, we aren’t above anyone. We TRULY realize that without our fans, we aren’t a band. We are not a band that’s worth anything. It’s really the fans that take you to the next level. People sometimes in the music industry forget that without them, where would you be? These people charge you $30 to get into a show, and that’s a lot of money these days, and it’s the people that work hard for that and support you, and if you don’t give back to your fans, you’re kind of a douchebag (laughs from both of us). That’s the way I look at it because they are the people out there that make you what you are. Yeah, it takes a certain level of skill to be a musician, at least a good one, but that’s only part of it. You can be the best musician in the world, if you’re a total tool and treat fans like crap, what good is it going to do you? You won’t sell any albums and won’t put any people at a show, and people will just ignore you. And then, you’re doing it for what?

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OKWFO-Exactly. It’s all for nil if you don’t show your appreciation back, and it’s obvious you guys do.

JH-It’s well worth it. We try (laughs)

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OKWFO-It speaks volumes. It really does. Trust me, I’m just a fan. I have no affiliation with the music industry really, so hearing stuff like this is great. You’ve gained yourself another fan that’s for sure (laughs)

JH-That’s awesome, man! We could use them all (laughs)

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OKWFO-How many albums do you guys have right now?

JH-We have three albums out. Actually, one is now out of print. One day we’ll probably put it back in print. That’s our first album called “Broken”. Then we have a self-titled EP followed by our latest album at the end of August/September of last year called “261″.

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OKWFO-Okay, I wanted to ask you about “261″. What is the meaning of the title?

JH-It’s an alpha-numeric code. If you put the alphabet to your numbers, it’s 2 = B, 6 = F, 1 = A, BFA-Back From Ashes.

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OKWFO-Nice. Short and sweet. Plain and simple (laughs)

JH-(laughs) Yep. It’s funny. We put it out there to see what people thought it meant, and man, they came up with some really good stuff (laughs)

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OKWFO-(laughs) I bet they came up with some really nice long numbers, too (laughs)

JH-(laughs) Right? They got real technical with it. We’re like, “No, it’s so much easier than that.” (laughs)

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OKWFO-Are you guys working on any new music?

JH-Always, man. We’re always working on new music. As soon as you stop doing that, you’re in a mad rush for the next album, and you end up with something that is sub-par to what you need. Yeah, we’re always working on music in between touring and stuff like that, just trying to get in there and write the next big hit.

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OKWFO-Of course, every song has to be the next big hit, right?

JH-Absolutely man. As our producer always tells us, “Your next song has to be as good as your best song off of your last record.” And, it’s like, “Wow. No pressure.” (laughs) But, with that being said, I think that’s what made “261″ the album that it is because we really did work hard to make sure every song was something that is all thrillers, no fillers. Know what I mean?

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OKWFO-Yeah, absolutely. Every song has its own sound to it and none of them sound the same and all are badass and hard. It’s a really good record in my opinion.

JH-I appreciate that, and I’ll tell ya, that part of it is by design. But then, and I’m not going to mention any bands’ names, but everybody knows who I’m talking about, but there’s a lot of bands out there where you cannot decipher one song from the next. We never wanted to be that band. Sometimes bands find a formula that works for them, and they stick with it, they sell tons of records. But for me, personally, I get really bored. I’m like, “Wow, that song sounds just like the one I just heard.” It may have some different lyrics, but the formula and everything is the exact same. I’m like, “Shit. The last song was a great song. Surprise me. Give me something else.” We are very careful when we do that that we don’t put ourselves in a position where you can’t tell what kind of band we are because we will always be Back From Ashes, and we do have our sound. When you hear a Back From Ashes song, you know it’s us. But, the song is different, and it’s not going to be the same song you just heard right before it. Take the listener on a journey. Back in the day, you had “Operation: Mindcrime” and albums like that, where it would take you on a journey, and each song was different, and that’s the kind of stuff that I strive, and I know the band strives, to put together music that will take you somewhere, and it’s not going to be just background music.

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OKWFO-Yeah, absolutely. “Operation: Mindcrime” is their best album. That’s my opinion, and I’m sticking to it (laughs)

JH-(laughs) I hear ya, man. They’re phenomenal. Queensryche is one of my all-time favorite bands, and they hit it right on the bullseye with that album.

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OKWFO-I am in total agreeance. I have to go a little off track here. The Rock influence in your vocals is apparent when just singing, but do you do all the growls?

JH-Yeah, I do them all. But live, I do not because there is just not enough breath in the human body (laughs) In the studio, it’s one thing. I sing a part, then track the next part, then you track the next part. But live, I’d have to have the lungs of a deep sea diver that can hold his breath for 6 minutes at a time, so Mikey, Dave, and Anthony will hit the growls live. I’ll hit some of them live, where I have the breath to do so, but they pick up the rest.

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OKWFO-Sorry. That just came to me because I can’t picture anybody being able to do that live (laughs) Please give the readers and fans places online where they can check you guys out – best place you’d suggest – or where they can get “261″.

JH-Yeah, backfromashes.com is the best place because it has links to all of our other pages. We’ve got our ReverbNation that’s linked there, our Facebook, our Twitter, which we recently got involved with, so I don’t know if I’m twatting, or tweeting, or twitting, or whatever it’s called (laughs from both sides), but we’re jumping on-board with that whole thing. All of the links to all of the other pages are right there on the website on backfromashes.com.

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OKWFO-The best place for web traffic, too. That’s about it, dude. Relatively short and painless. I want to give you the proverbial “floor”, if there is anything you want to touch on or add that maybe we didn’t talk about, anything at all, this is your time to do it. It’s all yours.

JH-Ya know, honestly, I feel you hit on a lot of great things. For us, we are all about our fans, and I cannot stress that enough. Again, it’s so important to us that our fans believe in us because we believe in them. I know it sounds kind of preachy or whatever, but our fans are our religion, and we worship our fans like they worship us. It’s a 20/20. Without them, we just can’t exist. The importance of it is off the charts, and we always like to make sure our fans know that. We have a great staff that works with us like Yvonne and Ryan Greene, our producer. And, without people like that in our careers, our lives, we wouldn’t be the band we are.

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OKWFO-That’s a nice shoutout to them, too, because you don’t hear enough people behind the scenes getting enough credit, so that’s really cool.

JH-Oh yeah, good God, are you kidding me, man? Have you seen what’s out there? Fuck. (laughs) Especially our producer and our publicist, those guys and ladies, they really get us out there in peoples’ face and are that catalyst for us to get our music heard, and then we take over from there. There is just not enough time in the day for a band to get it all done. You have to have a support team. A lot of bands forget that. A lot of bands figure that it’s good enough to just be a great band, and it’s not. Paparazzi? Bring it on. Thank you (laughs) It’s a necessity. That stuff gets you in peoples’ faces because if you’re not in their face, they don’t know who you are. You don’t exist. It’s absolutely important. Having people like Ryan Greene, our producer, to be able to see the things that he sees in us that we didn’t see in us, and forcing us to write riffs and vocal melodies we never would have thought of on our own. Without that, we wouldn’t have the album we have.

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OKWFO-That’s cool. In any walk of life, if you think about it, it usually takes a certain someone to bring out what you didn’t realize you had. To give credit like that where it is due, without taking anything away from the band because you guys are the people making the music, that’s awesome, and Yvonne does love the shit outta you guys (laughs)

JH-(laughs) Yeah absolutely. It takes a village to raise a child. It’s the same thing with a band. It takes a world to raise a band, to get them to the point to where they want to succeed. It takes that, so we can’t be more appreciative than we already are. We love everybody.

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OKWFO-Awesome. Like I said, I really appreciate this. I’m looking forward to more music from you guys to be honest. I really enjoyed the hell out of this interview and really appreciate your time.

JH-Oh, dude. Thank you so much for giving us the interview. We appreciate it, too. Like I said, every little bit helps us, too. You guys are the ones that are putting us out to people that we wouldn’t have normally reached, so we couldn’t be more appreciative. Thank you.

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OKWFO-In a sense, it’s all a family, man. I’ll do anything I can for ya. Not a problem at all. You’re very welcome. Great talking to you. Take care, man.

JH-You, too, and thank you again.

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Just in case you missed the link within the article, please click here to go to the Back From Ashes website, please check out the videos below to get a taste of what this band is great at (Metal, baby!), and please also do not forget to “SPREAD THE ASHES!!!”

The Suffering Within (from the album 261)

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Father Fiction (from the album Broken)

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(Contributor’s Note: Yvonne, publicist for Hard Rock band Against All Will, contacted The Monk about talking to this “supergroup” of musicians. I made sure to get this one. I wanted this one. With my maybe-once-in-a-while mention of how much I listen to Octane, I knew of the band because of their first single, ‘The Drug I Need’. The song is huge, and I absolutely dig the hell out of it. Lucky me, I got to do the interview just after the next single, ‘Swept Away’, hit Octane a week ago. What? Hell yes I dig it. It’s damn good. As a matter of fact, the whole EP is good. Jeff Current, vocalist SUPREME for Against All Will, was the unlucky bastard who had to deal with my barrage of questions. Yet, he showed no signs of this being any different than any other. He treated me with respect, made me laugh, gave shout-outs…the works. Anybody who takes time out of a schedule such as his to interview with us deserves just as much as they put into their music. The “supergroup” part? Please read below. Thank you, Yvonne. Thank you, Jeff. Thank you, Against All Will. Keep the jams coming. The band is a true-blood group of rockers. That is needed in today’s music. Rock on)

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OverkillWFO-I would like to say thank you for taking time out of your schedule to interview with me for The Monk’s House. First thing’s first. For fans and readers of the website, could you please introduce yourself, your role in the band, and a little history on each member?

Jeff Current-What’s up you crazy rockers? This is Jeff Current, lead singer for Against All Will. I come from Dallas, TX. I’m high…on life. I had a band called Seven Story Drop in Dallas before I joined Against All Will. Jimmy Allen is our guitar player. Jimmy is from Chanute, KS. He co-founded Puddle of Mudd back in the day and was a big part of that band’s success and sound. Jimmy has one of the most insanely badass guitar collections I’ve ever seen in person. Cello Dias plays bass guitar. Cello comes from Brazil and was the original bass player for the metal band Soulfly for many years. This guy can cook like a muffuga! We are thinking about touring in a roach coach and having Cello cook his Brazilian sandwiches and pizzas on the streets to support us. Phil Gonyea is on drums. Phil is from Santa Barbara, CA. He cut his teeth in the L.A. metal scene and was in a band called Instinct of Aggression. Some of the recordings you hear from us have numerous, different guest players on them. We’ve had some of our friends come in and lay down tracks with us-like drummer Moke Bistany from Otep/Puddle of Mudd/Cellophane; bass player Marty O’Brien from Tommy Lee/Kelly Clarkson/We Are The Fallen; and drummer Steve Wilson from TATU/Dead Kennedys. We almost had Nick Jonas do some background vocals for us when we were working next door to him one time at Jim Henson Studios in L.A., but his manager wouldn’t allow it (laughs). That woulda been killer! Talk about a variety though, huh?

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OKWFO-(laughs) That’s no shit. Guess Nick would have been marred being associated with a Hard Rock band or something maybe? Can you also please give a little history on Against All Will itself? Phillip Gonyea is a pretty new addition, correct?

JC-It all started with me sending love notes to Jimmy on Myspace, and he finally caved in. Nah, Jimmy and I had a mutual friend named Bigg Dave, who managed Puddle of Mudd in the earlier days before their record deal. When I first met Dave back in like ’02, that’s when he told me the history of Puddle of Mudd and told me about Jimmy being the most important piece of that band with songwriting and his guitar sound. Years went by after I met Dave, until the fall of ’08 when I got a wild hair up my ass and sent Jimmy a message on Myspace. “What’s up brother? Diggin’ your tunes.” He hit me back saying he was putting together a new band, that the songs I was hearing on Myspace were new, and he needs a singer. He checked out my songs on my band’s page and liked what he heard, so he asked if I wanted to come out to L.A. and audition. “Um, yes” is pretty much what I said. So, I flew out to L.A. a few weeks later and auditioned…here we are. I flew right back to Dallas, packed up everything important, threw it in the car, and floored it to L.A. immediately. We started working on material right away at his high-rise, one bedroom apartment in West Hollywood overlooking the Sunset Marquis Hotel and the Strip. After a few months, we set up auditions for drummers and bass players in late winter/early spring of ’09. We found drummer, Steve Wilson, and a bass player named Chris Clemence, and got to work. We went into Korn’s studio a few months after that to record our EP “A Rhyme & Reason” in June or July with producer Tim Harkins (Korn/Alice in Chains/Puddle of Mudd). Our bass player quit on us the very first day in the studio! Tim had to end up cutting some of the bass tracks for us. Now we were back on the lookout for a bass player. Our friend Roy Mayorga from Stone Sour was our next door neighbor at our rehearsal studio complex that we rented a room at. We were talking one day, and we told him our bass player quit. So, we asked him if he knew of anyone, and he said he knew just the guy. Cello and Roy were in Soulfly and Abloom together and are close friends. We met Cello and it gelled instantly. Steve Wilson was our drummer, but he ended up taking another job with Lena Katina from TATU, playing drums for her solo project in the beginning of ’11. So yeah, Phil is new to us. We found Phil through Cello’s good friend Mikey Doling, guitar player for Snot and then Soulfly, and Abloom with Cello and Roy.

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OKWFO-I loved Soulfly’s first two albums. Good, hard metal. Talk to me then, please, about your debut “A Rhyme & Reason”.

JC-Well, as I said before, it was done at Korn’s Studio in LA. The vibe inside that place was killer. I kept thinking, “ Wow, we are doing a rock record in one of the Holy Grails of metal.” All the badass Korn records that came out of that place, yet they still live inside of it. It was a lot of fun being there. The Korn guys were out on tour and not using the studio, so they agreed to let Tim record us there. Thank the Rock Gods for shining down on us. We came out a few weeks later with the 7 song EP. Five of the songs on the disc were songs that Jimmy had written before I came into the band. A couple of them were slightly unfinished, so we finished those together. The other 2 songs were songs that Jimmy and I wrote together from scratch. I’m so proud of this EP, it’s done so well.

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OKWFO-That’s awesome. Debut EPs seem to not do as well as full-length albums, but you all have been able to dispel that in a great way. What do you attribute to the quick rise of the band?

JC-I would say good songs speak for themselves. On top of having good songs that connect and resonate with people, and a smart veteran manager in Sam Kaiser, we are also very personable- reaching out to fans, talking to anyone who writes us on Facebook, waiting ‘til the last person in line gets a CD, t-shirt, autograph, or a picture with us after a show. It’s all about the fans with us.

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OKWFO-And, that makes a huge difference in someone who hits one of your shows not really knowing who you are. Speaking of fans, I’m a huge fan of Sirius/XM Octane. What is it like hearing your music being played on a station with such a huge fan base?

JC-Octane has boosted our sales and put us on the map as a serious contender and a force to be reckoned with. When ‘The Drug I Need’ shot up into the Top 10 and stayed there for several weeks, we were all pretty giddy. It has been in the Top 20 pretty much its entire existence on the station. It went back into Top 10 again around the 4th of July and was featured on the “Big’Uns Top 15″ songs on Octane. Thanks to all the fans for requesting it so much!

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OKWFO-I’m sure they all appreciate you guys putting out great music. Are you working on any new material right now or just touring? A little of both?

JC-Yeah, we are in the middle of working on new songs and recording demos in Kansas City at Jimmy’s home studio right now as we speak. We’ve got a few shows coming up in Texas, and there are talks about some different tour packages for later this year, but we are focused mainly on new music for the fans. We want to be in the recording studio by end of September.

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OKWFO-Totally understandable. There is nothing better than hearing when a well-loved band is making some new jams. What are some upcoming venues you will be playing on tour?

JC-The Texas shows will be club dates at venues like Trees in Dallas and Warehouse Live in Houston.

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OKWFO-Cool. Cool. What can your fans expect from the new material? The same great Hard Rock you have been putting out? Harder?

JC-The new music is going to be definitely a little heavier, aggressive at times, maybe a little more focused on what’s going on in this crazy world. I don’t want to say political because we aren’t a political band, but just talking more about the results of our government and other governments’ downfalls, what we the people are having to go through and deal with, and things like natural disasters. There’s a lot of crazy stuff going on around us and we have a lot to say about it.

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OKWFO-What better way to express that than in music? Please give the people some places on the web they can go to check you guys out.

JC-Check out Against All Will at www.againstallwill.com, and you can click on numerous different links from there to all of our sites like Facebook, ReverbNation, iTunes, and more. Request ‘Swept Away’ at Sirius Octane or your local rock station for us. Thanks for the support out there, and if you like us, then spread it like a dirty disease!

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OKWFO-(laughs) Even if you don’t like it, spread it like that same dirty disease. It is that good. I guess that is all I have. Thank you again for doing this. It does not go unnoticed and is much appreciated by myself and the rest of the writers here.

JC-Thanks a lot guys we appreciate the interview and the support from you as well. Peace!

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(If you have not already, please go get Against All Will‘s debut EP “A Rhyme & Reason”, show them mad love, and check out the videos below)

Against All Will-The Drug I Need

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Against All Will-Swept Away

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Getting ready for a show he did back on June 25th, I got a chance to sit down with So Serious one of THE premier Iowa emcees. I also got a glimpse into the mind of a man who is not only a great emcee, but alson spreading a message of togetherness across Iowa and whoever else will listen. Ladies and gentlemen, please give a a hearty round of applause for SO SERIOUS DA BOOTLEG SAVAGE!!! So Serious: I got in some trouble. Mom sent me to Seattle, Washington on the west coast with my aunt for a while. Moved back to Oklahoma and went to a Job Corps facility and completed all that. Kind of grew up a little bit and I ended up getting my GED. After that mom, moved to Nashville, Tennessee and I moved with her. I got in a lot of trouble out there did some bullshit and did some time. That kind of made me who I am now, if it wouldn’t of happened I wouldn’t be here today. But at the time I was like fuck that I don’t want to be here.
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3D: So it kind of steered you in the path your on right now?
SS: Yeah, exactly.
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3D: So did you get into music while you were in there then?
SS: I was already in music, I loved music my whole life, but sports were the main thing in my family. We’re Native American so baseball and football were a big deal and I didn’t really understand the music aspect of it until 13 Tupac, Biggie, Ice Cube, Dre.
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3D: You were more of a west coast listener then huh?
SS: Yeah and then the whole Master P era, im a P kid east coast I like Jay-Z and the older guys like Krs-One. I love all them guys.
3D: Listen to any wu-tang?
SS: Oh yeah I listened to all them cats, Method Man, Redman, Ol’ Dirty Bastard. When I actually thought I could do that I was 13 and heard a Brotha Lynch Hung cd “Season Of The Sickness” it was way super underground and was actually cassette. We went into the hood to get wires on my boys monte carlo bumpin that and I thought, “you know, I could do that” so then I just started writing music and freestyling. I moved back to Tennessee and decided to be a rapper, sports are not what im meant to be doing. Im in jails in and out its not going to happen. I started battling guys in jail.
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3D: What about your name? Where did it come from?
SS: It kind of came from my momma, she always told me you always takin shit too serious. And when im battle rappin’ these cats in jail, I’m not diggin what they’re saying, they were like it’s just rap your taking this too serious. It just stuck after that, it was there and didn’t go nowhere. Got out of jail, tried to get correct again and it fell apart. I ended up leaving the life and went back to Oklahoma, staying with my grandparents. I ended up meeting this chick from Arkansas and meat this guy named Big John. We started kickin’ it and I was still into music but had no studio. I knew more about freestyle rapping and didn’t really know what 16 bars or a hook was. I wrote a lot but was just constant writing and no real structure to it. We started working on it and he was from a poetry background and I told him, lets make this something we can do. He was headed back to iowa and if you want to come you can come with me, I don’t know what your doing with your life I don’t have a place to stay and we can keep this going. I did and we made a cd 5 or 6 years ago. We’ve done countless real albums and John produced most of the first couple albums. People weren’t taking it as serious with us, the words and lyrics were always there they weren’t getting heard because I’m not a producer. I’ve tried but just not good at it, by the time I get my beats just perfect I really have no desire to go back and write to it. I went to souldclick.com to get more commercial sounding beats for the people. So that’s what the first mixtape was about. That’s is what’s went over so good and our shows went over so well weve continued to do this. We’re into our 5th or 6th mixtape right now. John is on his solo tape right now. Not including the 4 or 5 albums weve done already. That’s why I think pushing Bit in this town, nobody can take credit for starting this here. I don’t want to boast and am not conceited, but we started this hip hop shit here in Mason City I feel in my heart. We actually tried out for the Bodog battle of the bands on Fuse TV in Madison, Wisconsin. That went bad because that was our first stage performance ever, we weren’t ready last minute situation and haven’t done that before. Then from there we been pushing this music as hard as we can. I met my homeboy larry, and a couple people got locked up. That caused me to move back to Oklahoma. Some family problems popped up. After getting back to Iowa we did 3 albums within 4 months just because we haven’t worked together in a long time. This was the idea. Y hate is origionally made up of 2 groups; the Bootleg Boys, and The Rejects. The Rejects consist of the Alias One, Lost Soul, and Fillmore. Bootleg Boys are Johnny Skitzo and So Serious. We recruited TFL-too fly league. We took em they record here, and are from Minnesota doing big things.
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3D: I was hearing rumors of you possibly getting signed by Red Vinyl Records.
SS: I’m talking to them, it’s a shot in the dark, they’re trying to find out if it will be a good match for them and if what I’m doing is good for what they’re trying to do. Litefoot is the CEO there and has been in the business for 20 years, and is starting fresh to go in a new direction. He just signed 151 from Miami, FL, and J- Bryant from Arizona. I’m just talking to him right now, waiting on the call. If it happens, it’s gonna be crazy. I don’t really know what they want from me, I know he signed a group from Miami, I’m not sure if theyre looking to sign what im doing as a group, or a solo artist.
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3D: I see you posting on Facebook quite a bit. Do you think the social media sites help you guys get more exposure or hurt you in a way?
SS: I think around here it helps, as far as a national situation, I want to do shows in every town instead of just Facebook and just download my music like spam. I want to put on shows and get out there, this is what I want to do. If I can do this, people are going to hear me. Twitter does help. Ive reached artists from Alaska to Tennessee just because of Facebook. It’s allowed me to work with a couple different artists from Minnesota and Canada and another guy from Alaska. Without it, I wouldn’t have worked with them dudes. It’s a blessing in disguise. If you feel like another guy is gonna sound good with what your trying to do, hit him up. The more elbows you rub, the better music you make. If there’s no fans out there, you got nothing.
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3D: So with being a Mason City pioneer, do you work with any local artists like Playboy?
SS: As far as music goes, I’ve worked with my boy Buttah, anybody that’s takin it serious and doesn’t want to just get drunk and freestyle all night Ill work with. I’m not down with that, I’d rather you come prepared with what you want to do. We’re in the works with Playboy, and MC Juggalos, Conscience. We try to keep it local. We’re trying to come together and and get money. What else can you say of performing in front of 300 plus people. It’ll only go bad if you fuck it up yourself. You’re out there getting heard doesn’t matter who hears it. There’s listeners, and there’s people out there looking for new music and looking for the next big thing. If you don’t keep relevent, youll be irrelevent. People can come here and keep this town’s economy going and keep it happening here without people worrying about being bored. I’m here putting this show on for you come out spend money and have a good time.
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3D: One last thing you’d like to say to the fans?
SS: I love you, and keep listening. Keep pushing play on any good local hip hop. If it sucks, it’ll suck no matter what you do. Put your 2 cents in so we can keep making making good music. If I don’t hear it, I don’t know what to fix. Im just gonna keep moving this along. Y-Hate isn’t just a group, we’re a movement. People can feel like they have somebody that talks about the shit that they go through. Out of 20 songs on an album there’s gonna be at least one you feel. Our style is versatile. We love kids. Our music isn’t we will kill you or shoot you, don’t get it twisted, we will kill you or shoot you if I have to if you mess with my family, friends or money. That’s just the way it is, I’m not about the negativity I love drinking, weed and cameraderie. Let’s all just have a good time. Why hate?
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(Contributor’s Note: In preparation for this interview, I checked out a video that Chris Catero did in New York at the Sirius/XM studios. I thought to myself, “Self, this will be cake. The dude is as chill as a hairless man in Antarctica.” So, five days before the interview, I was leaving a rig and had a voice mail pop through on my cell after getting back some service. It was Catero. Seems a line got crossed, a mistake was made, or something to the like, and he thought the interview was that day. Imagine my surprise upon listening to the message about an hour and a half after he left it. I called him back as soon as I could (my cell service dropped the call after only a couple minutes, and it was quite embarrassing). So, we got to speak, about my line of work, a little about the state of New Mexico, his familiarity with the area I live in, and a bit about where he is from. After we finished THAT conversation, I thought to myself, “Self, this is going to be BADASS!” I got home a few hours later and friended him on FB right away. I have been a fan of Razer’s for a couple years now, and my excitement built over the next several days. The day of the ‘view I thought to myself, “Self, chill…the…fuck…out.” He called about two minutes after 4 my time, and it was on. Chris Catero is just as genuine and deep in his beliefs of the music industry as any true-blood musician is. Well, and he is just one helluva human being. Our conversation is as follows. Enjoy and rock on)

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OverkillWFO-First, I just want to say thanks for taking the time out of your schedule to interview with me for The Monk’s House.

Chris Catero-Oh absolutely. Not a problem.

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OKWFO-I didn’t think it would be after talking to you the other day.

Chris-(laughs)

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OKWFO-For those that might not know, please tell our readers and fans about you. When did you start playing bass originally, and what is a little of your personal history in the music business?

Chris-Okay, I started playing bass a long time ago in a galaxy far, far away because that’s what it feels like (laughs from both sides). So, I’ve been playing bass for a number of years. I really got my first start, funny enough, being in Las Cruces, New Mexico. I went to school at New Mexico State University. In high school, I played in a kind of a high school cover band or whatnot. When I got to college, we put together a pretty popular cover band I played in during my years down there at NMSU. Ya know, just kinda making the extra money and the rent while you’re going to school type of thing. But, at the very end of my time at NMSU, I met some guys, and we ended up forming an original band, more of your speed metal-type band called Wardog. With Wardog, the guitar player/singer and I split vocals. What ended up happening was we were all kind of connected. He had been in a former band that had been signed to Capitol, and he had actually played with Marty Friedman growing up as kids in their first band. So, after we did our first Wardog record, which was really just more of an extended EP we did on our own, Metal Blade Records got wind of it, picked it up, and we signed a deal with Metal Blade. With Metal Blade, I was with that band for a few years, and that band finally broke up. I got to be friends with Marty Friedman through that whole process with Wardog, and I started playing with Marty on and off in his band. Along the same time I had formed Razer with myself and two of the other guys (Eric and Paul) who had been in Wardog with me. We just wanted to kinda go into a little bit of a different direction. Simultaneously, I was doing the Marty Friedman thing, we were working on the Razer thing, at that point I was the singer of the band, which I really didn’t wanna be (chuckles). I would much rather just be a bass player. But, at the time, it was just one of those things I had been a singer, or part singer, in a band before. It was kind of an easy thing to do. As soon as we started writing stuff, I knew I did not hear my voice singing the songs. It was just in a different vein than what we were doing in Wardog. I heard a bigger, more soulful-type voice going on with that. I have a very kind of heavy metal kind of voice I guess is the best way to put it.

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OKWFO-There’s nothing wrong with that (laughs)

Chris-No, no , no, there wasn’t anything wrong with that, but what I was hearing, we were writing all this music, and I was hearing like…I was hearing in my head what I wasn’t hearing in reality. A heavier-tinged band, but with a singer that was more in line with Steven Tyler meets Motown almost, which sounds like a really odd combination. But, that soulfulness is what I was kind of looking for. Someone who could really belt, and I just never really heard many guys who could do that in heavy music. And, I thought, to me, I was like, wow, this would be a very cool and interesting combination that nobody had thought of at this point. Luckily, right as we were getting ready to ditch the band because we just had not found anybody (chuckles), we expanded our search beyond the Phoenix area, where we live, and I found Chris Powers, our singer, on an online ad going to L.A. moving from New York. When I heard his voice, I thought, “This could be the guy.” We sent him out some music we had been working on that didn’t have any lyrics or melodies purposely for the idea of thinking we would check some other guys’ ideas out. The first thing he sent back was what turned in to be ‘Never Understand’ on our record. The minute I heard, it was like a verse and a chorus, I was like, “That’s the dude.” We just kind of went from there, and got him into joining the band, and that is for real where Razer started in my mind.

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OKWFO-You brought up where you and 2 of the other guys came from, what about Chris Powers? Was he in a band before?

Chris-Funny enough with Chris, Chris is really a guitar player. He’s from Albany, New York, and he’d had a band up there called Shift. He actually went to school as a guitar player, and he’d only decided to sing in his band Shift two or three years prior to when I found him online. He is just a raw, natural talent. He’s one of those guys that can just sing. There’s no trying with him, per se. One of those guys that when he opens his mouth up, he could sing. He’s that guy, if you’re a singer, you just completely hate because he is a natural. He opens his mouth and good things come out. At the same time though, he is a really good musician, and he’s a helluva guitar player funny enough. He can really lay down some pretty wicked leads or whatnot.

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OKWFO-Really. Does he do that on any of the new album?

Chris-Actually, he does. He plays a little guitar here and there. He did an outro solo on the title track of “Dark Devotion”, and our cover of ‘Every 1’s a Winner’ that’s him playing most of the main guitar riff lines.

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OKWFO-Oh, son of a bitch. That’s cool. That’s the kind of guy you want , a guy who can sing and be a musician all around. That’s awesome.

Chris-It’s funny, because we have two guitar players, we haven’t incorporated him playing guitar live, per se. He hasn’t necessarily wanted to go there all the way with doing that, but it’s great having a guy who comes from not being a singer, but being a guitar player. When your writing,  there’s a whole helluva lot less ego you gotta deal with because he’s not really a “lead singer” by his nature. He’s really a musician. That’s cool because he can understand the whole and can really grasp what’s going on with the music. The more bullets you got in the gun, the better off you are when you’re shooting.

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OKWFO-Well, it depends on who’s shooting (laughs)

Chris-(laughs) That’s true (laughs)

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OKWFO-You brought up Marty Friedman, and not to take anything away from anybody, but what is it like being friends with arguably one of the better guitarists in history? I mean, it’s Marty Friedman.

Chris-(laughs) Yeah, I know. The funny thing about it is that I still remember the first day I met Marty. Tom, the guitar player in Wardog, had said we’re gonna re-record some of this old stuff. Their first band was called Deuce, and he wanted to record some of this stuff just for shits and giggles just to have fresh copies of some old stuff they had done, and said Marty’s coming in to do it. This was during… probably around ‘Youthanasia’ or maybe even before that I guess, somewhere around in there anyway-that time frame when that was going on. I still remember the first time meeting him. He walked through the door, and prior to all this, he was one of my favorite guitar players in Heavy Metal just because I gravitated toward his style, and he sounded like nobody else but Marty Friedman. I remember him walking in and saying to myself, “Holy shit, that’s really him.” We got to jamming, and from that day forward, we actually just kind of became friends. Marty’s the one who actually,  when we moved from New Mexico, kind of talked us into moving to Phoenix as he moved there a couple months prior to us. It was funny because eventually he just kind of became my little curly-haired guitar player friend. I started playing with him in his touring band after he asked me, “Hey, do you want to go out and do dates with us?”, and I was like, “Yeah. Sure.” It’s fun, a way for me to stretch and get my chops up and that kind of stuff. And, then it was like I forgot how great he is…at that point he was just my friend. We’d start playing, and I’d be on stage with him, and I’d be like, “Holy shit! Did you just play that?” And then, it takes me back, I remember…oh yeah, he is a guitar God, isn’t he? (laughs)

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OKWFO-Is he involved in Razer in any way, shape, or form?

Chris-He hasn’t been involved with us in any other capacity other than him and I co-wrote our current single, ‘Do You Want It’. It was kind of a unique thing to doing that, too, because it was probably the world’s wackiest co-write due to the fact that, traditionally, when you think of when guys getting together and co-writing they get in the room together and bounce off each other, “Oh yeah, this is great” or whatever. It wasn’t anything like that. I was up at his house kinda helping him engineer some stuff that he was doing on a record and played me this song he had a kind of semi-finished rough form, which is basically the riff in “Do You Want It”. I heard it, and listened to the song, and I kind of look at him and say, “Dude, this is a vocal song.” Not that any of his other stuff isn’t great, because it is, but instrumental albums tend to gravitate toward the guitar thing as the primary instrument obviously. With this song, I just heard lyrics. Literally, I heard, “Do you want it” come out when I was listening to it. So again I told him, “This should be a vocal song.” He said, “Dude, go for it.” I was like, “Okay.” A couple months goes by. He finishes the record. I get the record. He gives me a copy of the record, and I mentioned back to him, “I think I want to try to do something.” He goes, “Yeah, go for it, man.” So, I take it, and I go away. Now, I kinda chop it up, and I rearrange it, and I do things that went more toward a vocal thing, and I wrote all these vocals and everything to it. We as Razer at the time, this was before Powers was in the band, demoed it, thought it was killer, but it just kind of didn’t go anywhere past the demos. Then, fast forward up to very late last year, management was saying we should consider doing an expanded edition of the record. We had just gotten a bigger management company on-board and had some new business ventures happening. They’re like, “We should consider an expanded form with some new tunes on it.” I said, “Yeah, I like that idea. That would be cool.” A lot of people really hadn’t got to hear “Dark Devotion” when it was released earlier that year. When thinking about new songs I brought up, “Ya know, there’s this song I wrote with Marty Friedman.” I went back to the drawing board again on it, editing it further, tightening the arrangement up a little more than what it was before, and we did a demo on it. Management flipped out and said, “You gotta do this.” I called Marty and said, “Hey man, we are going to do ‘Do You Want It’ on a record, do you want to play on it?” He’s like, “Yeah, sure. Let me figure it out.” He’s living in Tokyo, Japan so we kinda went back and forth on e-mails, and once we had finished up the rough form of it before it was mixed, I sent him over some stuff, he did some solos at home, sent it back to me, re-amped it at our studio, and there we were, Marty Friedman was playing on our tune. Long story short, it was a pretty wacky kind of write, but it’s a very cool thing at the end of the day because I thought he played a killer solo on it.

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OKWFO-Damn, that’s awesome. I love cool fucking stories like that.

Chris-Well, the funny thing about it is, Marty has played little guest appearances on a lot of records, but this is actually going to be the first time when this single goes to radio here in July, the first time he’s been on big, active rock radio since he was in Megadeth. I think that’s a pretty cool thing, ya know.

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OKWFO-Yes it is. That’s hard to believe with all he does, and can do, in the music industry this will be the first since then.

Chris-When he left Megadeth, he decided he wanted to move to Japan and formed an entirely new career there that’s not even really based music. Music is secondary part of what he does because he’s really a t.v. star there. He’s really big in a lot of different t.v. stuff, he’s had two or three different shows,  he’s actually had a #1 bestselling book there. He’s like just more of a “star” there. We went there a couple years ago to do a live DVD, and we were walking out in the street and little old ladies were coming up to him and everybody’s talking in Japanese. You totally expect a little thrasher dude coming up with long hair and like, “Oh, Marty Friedman!” and throwing him the horns, but it wasn’t like that at all. I was like, “What was that about?” He said, “Oh, she saw me on a cooking show.” I’m like, “What the hell were you doing on a cooking show?” He’s like, “It’s just a thing I had for hosting.” And, I’m like, “Alrighty then.” That just kind of gives you the idea of how far it’s kind of gone.

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OKWFO-That’s crazy. Well hey, not to sound like a cheesy fan, but I think Razer could have a book someday, and I think they just might.

Chris-Well, ya know what, we’ve been writing the chapters here for a little while. We’ll see if it all comes out. (laughs)

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OKWFO-Hell yeah. You touched on ‘Dark Devotion’ some already. Let’s talk about that. What are some of the differences between this re-release and the original?

Chris-What we ended up doing is, with the original, we added four new songs to this, plus with the original, while it sounded great, I wasn’t really happy with the mastering on it. It wasn’t what I wanted it to be. And, our producer, when we talked about doing this expanded edition, once we had recorded these new songs, turned me onto Scott Hall at Masterdisk, who’s a very big mastering engineer. Scott did ‘Do You Want It’ for us when it first came out to iTunes as a single. I was like, “Wow man, this is exactly how I wish the rest of the record had sounded.” So, we just said, well, for the expanded edition, let’s actually have Scott go back and re-master the whole thing, which he did a great job with. It’s really bombastic-sounding as you probably got to hear, very heavy-sounding. Between that and the new songs, this record will actually get to hit the light of day to a lot of people, whereas before, it only hit a small niche of people, and I thought it was a really good record. I wanted people to hear the record, we all did, so that was part of the reason of saying, “Well, let’s do it in an expanded form.”

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OKWFO-Cool. When is it going to be out?

Chris-It’s going to be out July 19th. You’ll find it at all the online retailers and all that kind of stuff.

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OKWFO-Good. I’m planning on getting it and doing a review on it, too, just so you know. Looking forward to the extra songs also.

Chris- Cool. Cool.  Awesome.

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OKWFO-I told you on the phone the other day that I’ve been a fan of you guys for the past couple years. I first heard ‘Superpaun’, which was of course the first song I heard from you guys and played on Octane, and instantly just loved it, love the sound. With all the different genres of metal nowadays, how would you classify Razer within that mix and why?

Chris-Well…and that’s a good question. I had a feeling you were going to ask me this (laughs), only because, I kind of don’t know where we sit, and I want to explain this to you. If you look at us on the surface at a very brief glance, you can say, “Well, that’s kind of a…” like you said, an Octane-radio rock band. But, as you start listening to us, you go, “Well, there are a lot more layers to what they do than your standard radio rock band.” There’s a lot more guitar stuff going on, the singing’s a little more complex, there are more harmonies,  it’s more musical. Not to take away anything from anybody else,  but we have like really old school influences, like ‘70s and ‘80s influences, and that was part of the grand scheme of the make-up of Razer. We wanted to have this band that is obviously modern-sounding, but at the same time, having the writing sensibilities of the great bands of yesteryear. For me personally in today’s music, there’s very few bands that I go, “Wow. That band’s great.” And, there’s a lot of bands that I go, “Well, it’s okay.” I think that in the business, the music business is so wacky right now that as far as the labels that release music go at this point, they don’t know what to do. I don’t think they have anybody within the context of their label organization that really has an ear for what’s actually happening, so they keep rehashing really vanilla stuff to the masses that keeps dwindling. They wanna blame downloading and things like that and that has a little something to do with it, but I also think it’s a lot of not having a product that a lot of people want. At least with us, I wanted for the band to be able to not just have a great song here and there that’s catchy but a great record like bands used to do, that somebody could get into it and keep listening to it and not get tired of it-songs all the way through that you like and whatnot, just like the bands I loved growing up. Really, it’s just kind of just, along with an answer to your question, I don’t know where we sit because we can kind of play with any of the radio rock bands and fall in with that. At the same time, we are doing a gig coming up in El Paso with Tesla. Some people might say that’s a weird combination, but it really is not at all for us. The fans of Tesla actually like what we do, too, because it does have that musical complexity that music from that era had. So, we fall somewhere in between, and I don’t really know what you classify us.

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OKWFO-I mean, for me, I don’t like that there are so many different classifications of metal. To me, it’s just fuckin’ metal.  That’s what I grew up with-Metallica, Megadeth, Slayer, ya know the Big Four, and beyond. Then all of a sudden, all this other stuff started happening, there’s all these different genres, I was like, “Shit.” When I first heard you guys, I thought this is just a good Heavy Metal band. In my eyes, you guys are just Heavy Metal. I don’t wanna put anymore classifications in front of that because to me, it sounds really good. It’s a newer-style Heavy Metal, but that’s exactly what it is.

Chris-Well, that’s what we were really trying to do, and I’m glad it has come across like that to you. That’s all we really wanted to do. I would love to say we could reinvent the wheel, but I don’t think anybody has reinvented the wheel in music in a very long time. At least I wanted to say, well look, we’re not just a band that’s wearing our influences right out there on our sleeves and copying things. We’re a band that’s taking our influences, like bands of old who’d take their influences and spit’em back out in their own way, and that’s pretty much what we’ve wanted to do, and I think we have been successful doing those things.

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OKWFO-Hell yeah, man. I like that. A couple other things here. Obviously, you guys are based out of Phoenix. I lived in Phoenix back in the ‘90s. 98KUPD was, and is, THEE metal/rock station, and I read they helped you guys out. In what sense have they help?

Chris-Well, I’m friends with a lot of the people at KUPD. They played ‘Superpaun’ and got us on some of their radio station-sponsored shows. Ya know, KUPD is a really difficult station to get on in any capacity because they are one of the top 5 rock radio stations in the country, which makes them a tastemaker…every major label is trying to get their latest and greatest played on there. And, the fact that they’ve shown us some love just purely because they liked us was something that was really helpful for us. At least as far as some people saying, “Well, KUPD’s played them. That’s gotta be something cool going on with this band.” And, giving us a little more of some notoriety. Not necessarily outside of the fan base of the Phoenix area, but more with the business because the business people understand the power that KUPD carries as far as what it does, and that’s definitely put us on the radar of some people who we weren’t on prior.

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OKWFO-That’s a helluva compliment for ya. Where can we all expect to see you guys in the coming months, touring-wise?

Chris-What’s going on right now is with all the media and stuff that’s coming out, I think that our people are already formulating touring plans. We’re going to be doing kind of spotty days between now and probably the middle of August. Our booking agent is already looking at stuff for very late Summer through the Fall. As soon as we get more stuff, more information coming down, I’ll definitely…it will definitely be getting posted up, but we should be out and about touring probably by September I would think.

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OKWFO-I guess it’s time. I’ll step back, and let you have the floor. If there’s anything I missed you want mentioned, to bring up, anything you want people to go check out or whatever, it’s all yours, man.

Chris-Okay. Well, I would just say, if you get a chance to check out the whole record, definitely do. It’s not just one or two songs you hear on the radio that are good on it. You’ll get to hear a really cool, kick ass full record that you won’t mind listening to. Another thing I’d say to check out, too, for all you guys out there who are video game fans and stuff like that, should also check out and know that our singer, Chris Powers, also has done some of that kind of work, too. Like if you’ve played Guitar Hero 3 with the battling the devil, “The Devil Went Down to Georgia”. That’s actually our singer doing that. It’s a little fact that some people normally go, “Oh wait, I’ve played that.” I say, “Well, then you’ve heard our singer.” (laughs)

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OKWFO-Where else can people go? You guys have your own website and Facebook and all that. Where else would the best place to go to really check out your guys’ music?

Chris-I would say go to, probably for the music itself, you could go to our website (razerband.com) or our ReverbNation page. I like ReverbNation for actually listening to music, and that’s just reverbnation.com/razer.

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OKWFO-I’ll definitely be adding some links into this once I get it all ready to go.

Chris-Cool. Put up a Razer Facebook link. Obviously, the more people to go and Like us and all that kind of stuff, all the better.

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OKWFO-Oh, I will. Damn right. That’s it, man. Thanks again for talking with me. I knew after speaking with you the other day, I had nothing to worry about (laughs)

Chris-(laughs) Not at all and no problem. Take care.

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(It’s obvious Chris Catero is an honorable friend to most and a badass musician to all. Please follow the links provided and bang your head to the tune below) Razer Website / Razer ReverbNation / Razer FB Fanpage

Razer-Superpaun

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Whenever you get a chance to interview an up-and-coming artist, it’s a special occasion. Especially, when the artist is making his mark in a major way, selling many copies of his mixtape CDs, along with doing shows with the folks over at Strange Music Records. I’d like to introduce everyone to Playboy the Beast.

3D: Alright, this is my interview with Playboy the Beast, an MC out of MC, Iowa. It’s good to have you, man. I appreciate you seeing me. I just got a few questions for you, man. How long have you been rapping?
PB: I’ve actually been rapping since I was about twelve and a half years old.
3D: About twelve?
PB: Yeap. Pretty much since I got locked up, man. When I get locked up, it’s basically what I do to pass time.
3D: Keeps you out of trouble one way, right?
PB: Right, right.
3D: So, what got you started in music then?
PB: Actually into recording music? Or, into music?
3D: What got you into music, and then led you into becoming an artist?
PB: Um, trying to think… I think the first rap CD I got when I was eleven years old. I seen some rap tape at the store, and I got it and listened to it. And, ever since then, man, I loved rap.
3D: Just gave you the fever?
PB: Yeap.
3D: Do you remember what that tape was?
PB: Hard rap. It was a compilation. It had Ice-T, Kool Moe Dee and a bunch of rappers on there.
3D: So, who do you look up to now? Who inspires you from the past, or present?
PB: I’d say now, Tech N9ne is insane. Everything he does. He’s the only rapper I really envy. It’s like everything he comes with; it’s mind-blowing the shit he’s coming with. He’s the biggest influence to me right now. He’s the man.
3D: Anybody from back in the day you try to emulate?
PB: Umm… I think pretty much being from the Midwest, you get something from everybody; from the west coast, the east coast. So, my style is basically a mix from everybody, everything. I like the slow stuff, the fast stuff. I like Bone Thugs a lot. As a kid growing up, that was what I was really into was Bone Thugs-n-Harmony, Snoop and all that.
3D: I can hear that in your style. So, what sets you apart from anybody else coming out now?
PB: Versatility I think, man. I can do slow shit. I can do metaphors. I can do fast. Basically whatever, ya know? I think that’s a big plus when it comes to being an artist, because a lot of artists are one-sided. I can get on an R&B track and still make it sound good, or get a hard track and, and just go. Slow…fast…anything. I can do it.
3D: So, when you say “metaphors”, are you talking cannabis type punchlines?
PB: Yeap. Like Lil Wayne type. Like “higher than a pelican” and all that type of shit.
3D: If you had to describe your flow, your style, to anybody else, how would you describe it?
PB:  It depends on which track, ya know? It changes from every track. My heart is with the fast rap. That’s what I’m really gonna go back to. The last CD I just did, I did a variety of different styles of songs. I did soft, mainstream type songs to basically get out there; get a fanbase created. But with this next CD, I’ll probably have two or three softer songs, where the songs are gonna be slow. But the rest is gonna be some Twista, Tech N9ne type of songs. Going back to my roots. Get the adrenaline going.
3D: Speaking of your album that just came out, what? Last week? How was the recording process?
PB: It was kind of rushed, because we had a show coming up. I had been recording on it for about a week. I found out we had a show we had coming up in two weeks, and wanted to get the CD done for the show. So, I just banged the whole thing out in like three weeks. Pretty much slept in the studio, lived in there, banged it out, and got it done. Think it’s a pretty hot CD though.
3D: I can’t wait to hear it. Your mixtape stuff is nice. What’s it like just getting heard out there?
PB: It’s everything I’ve wanted. A record deal would be great eventually, down the road. I’m just glad to have my studio up and running; to have people want to hear what I have to say. Let’em know that somebody in Mason City can rap, and spit, just like the industry dudes can.
3D: Any other musical interests besides hip hop?
PB: I love hard rock, like Hed PE, Static-X. I like the hardcore stuff. Basically anything that makes you want to fight and gets the adrenaline pumping.
3D:  What’s your up-and-coming tour dates? I know you have a show Saturday (05/14/11) in Des Moines. At this point, anything else planned outside of that?
PB: After this show, if they like me, there might be a couple of out-of-state shows with Stevie Stone and Rukka Puff. And then, hopefully Rukka Puff is gonna be coming to Mason City in July. We’ve been talking about that. I’ve been talkin’ to him. He wants to bring his tour to Mason in July. Then June 25th, Y-Hate Nation - The Bonecrusher show, will be at the Rose Bowl here in Mason City. Then Saturday, we’ll try and get some more shows lined up.
3D: What can we expect from your next album?
PB: It’s gonna be crazy, man. I’m gonna take my time, and it’s gonna be some of the fastest, most mind-blowing, hardcore stuff you’ve ever heard. It’s gonna be the best CD probably to come out of Iowa, ever! I can honestly say that.
3D: You have that much confidence in it?
PB: Yeah, man. It’s gonna be nuts. There’s a lot of talented artists here in Iowa, too, so we’re gonna get some features on there; guys from Paper Chase productions.
3D: What about them? How are they reacting to you gaining fame? Are they supportive?
PB: They’re all supportive. We’re all working on our solo CDs right now, and they’re gonna be right there at the Bonecrusher show, and eventually, do a group album.
3D: Anybody you want to collab with in the future?
PB: We’re definitely doing something with St. Paul Kings in Minnesota soon. We’ve been talking about that. Are you talking about dudes from the industry?
3D: Just anybody. Anybody your interested in; look up to.
PB: Pretty much anybody in the industry would be great, man. Stevie Stone, Rukka Puff…all them guys would be great. Anybody out there, and in the industry that’s been in it for awhile, would be great.
3D: That pretty much sums it up. Anything you’d like to say to all the fans out there?
PB: Thanks for listening. Much, much more to come. Come check us out! We’re also on Facebook, Youtube and Reverb nation.

(Contributor’s Note: The reason I call this a conversation and not an interview is because, without saying it in so many words, she preferred to think of it that way. Wow. What a great way for a first-time intervi…um, conversationalist (with someone other than a regular person) to start off. She contacted us regarding doing an interview, and I was the lucky bastard who got the opportunity. Our original “talk” was supposed to be on Tuesday afternoon. Our phones just did not get along that day, so she asked if we could do it on Wednesday at the same time. Well, yes of course. After the “conversation” was all said and done, and I shut off the tape recorder, she was truly interested in what I do for a living outside of the website. We talked about family, friends, grey hairs, age, relationships. It was like talking to someone I’ve known for years, and you will sense that here. She is a gem. A true artist. A genuine soul. She is coming people, whether you like it or not. For me personally, I like it. Rock on)
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OverkillWFO-I wanna thank you for giving us this opportunity and taking the time to talk with me.
Alexx-Ah, right back at you.
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OKWFO-Nice. Who was your main influence that led you to go into the music business and when did you first start?
Alexx-Well actually, the person who inspired me to become a musician is my father. My father is a musician, too, a really phenomenally talented guitar player and also a singer. But, I come from a very musical family, the Calise side of my family. We’ve all been very well versed in the arts and in music. For example, my great-great-grandfather played about 13 different instruments, and then I had a great aunt that was a classically-trained violinist, so we’re all very musically inclined on that side of the family. My father was the one who really inspired me because I watched him as a kid. Me and my brother would sit on the floor and watch him play. Ya know, like Beatles tunes or the James Bond theme, and when I was a kid, I was just like, “Oh my God. That is the coolest thing I’ve ever seen.” I thought I just gotta do this. So, I picked up the guitar at 11, and I was really inspired by a lot of music like Silverchair, who has always been my favorite band…ever. A lot of my guitar playing style especially has been inspired by blues because I love Stevie Ray Vaughan and Kenny Wayne Shepherd and Jonny Lang, B.B. King. Stuff like that. So, I would sit in my room when I was growing up and just play along to the records, like blues records and Silverchair and Soundgarden. I just fell in love with the instrument. I’ve always been a writer first and foremost, but I thought music would be the ultimate way to kind of put my writings to, to bring them to life I guess. So, I just figured that music would be the ultimate way to express myself. It’s always been in my bones and my soul, and without music in my life, I would just die. I don’t know what else I would do. It’s the only thing that I know how to do.
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OKWFO-That’s awesome. Hearing it is better than reading it, let me tell ya. That’s really cool.
Alexx-Awwww, thank you.
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OKWFO-Now, you were born in Ft. Lauderdale?
Alexx-Nope. Actually, that’s a factual error someone made a long time ago. For some reason it’s been everywhere. I was born in Staten Island, NY, but I lived most of my life in Ft. Lauderdale.
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OKWFO-What caused you to move to Los Angeles? Is that where you felt like your music would do best at?
Alexx-When I was younger, I was thinking, ”How about Nashville for a while because I’m into blues and stuff, and Nashville’s kind of the country and blues scene. The place to be I guess for that kind of music. And then I thought, ya know, as I developed over time, I became a rocker, and my love of rock overtook the fundamental side of things, if you will. Blues is a very, very tough market, and I thought rock music was a lot more…I could relate to it a little bit better. So I thought, “ Maybe I’ll move to New York.”  And then I thought, “Nah, I’m a Floridian. I’d freeze my ass off if I lived in New York.” (laughs) So I thought the next major city to go to would be Los Angeles. And it just so happened, a former manager of mine hooked me up with his producer friend named, Luigie Gonzalez, who I’m still working with to this day. He actually just produced my new album “In Avanti”. We just clicked. The cool thing about him and I is that my background is mostly grunge, and blues, and rock. He’s a major, major remix and dance producer. He’s worked with Madonna, Shakira, The Killers, and stuff. We created this newer kind of sound, like the sound you heard on my new record. Kind of like an interesting blend of all of the genres without committing to just one thing. So, the moving to L.A. was the best frickin’ thing that ever happened to me because of the relationships I’ve built out here, and it’s the mecca for entertainment. I mean, there’s no where else in the World you can be, I think, if you want to be an entertainer, if you’re a serious entertainer, you gotta move to L.A. or one of the major cities because that’s where the industry is. You gotta go where the industry folk are.
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OKWFO-What are some of venues you have performed at, and where can we expect to see you in the future?
Alexx-Let’s see, well, we are going to be doing some serious touring in the summer, especially around the West Coast area. We’re headlining some of the fairs and festivals out here. We’re doing San Diego Fair. We’re headlining one night, June 11th. Then we’re playing the San Mateo County Fair on the 16th, and we’re going to be doing a lot of these different film and music festivals and stuff. Next Tuesday May 10th, I’ll be in Ft. Lauderdale, my hometown, and playing a hometown show with a friend of mine’s band, and their name’s Sugar in the Gas Tank. That’s what’s going on now. As far as some of the past venues that I’ve played at, I’ve played at some major venues. The Viper Room in Hollywood. Let me see, Cat Club Hollywood. I’ve played some major seaters, like Hard Rock, the Roxy Theater out in Miami, so I’ve played a lot of really big places. I’ve played a lot of really shitty places, too, so. It all depends on the night, ya know?
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OKWFO-Yeah, and that’s a part of getting started I’m sure.
Alexx-Yeah, ya know what, it’s that, and it’s also, I mean, everybody experiences that. Until you are the one person that just makes it huge and is playing at arenas. All of these bands are playin’, for the most part, shitty venues certain nights and everything. But, I’ve found in my experience that some of the shittier venues are more fun, and more intimate. I’m into dive bars and hanging out with skuzzy people, they’re my brethren (laughs)
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OKWFO-(laughs) Fans, like me, that have nothing to do with the music industry in itself, hear that the smaller, shittier places to play have the best crowds and you get the best reaction.
Alexx-Yeah, even the place I’m playing this next Tuesday is actually kind of a cool place. It’s kind of a diamond in the rough, if you will. It’s kind of divey, but at the same time, it has a cool rockabilly kind of flair. The people that are there are just awesome. The crowds that come out, and the ones that come out to my shows and everything, they’re just…I have the best fans in the World, and usually it’s like in those little pockets and different areas around the United States. They’re just awesome. I just really appreciate them so much, and I can really relate to them a lot. They are great people.
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OKWFO-Ya know, if you ever come to New Mexico, please let me know.
Alexx- Well, we’re planning on getting out as much as possible…so…
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OKWFO-I want you to do me a favor and brag a little bit. Tell me and the readers where you and some of your songs have been featured.
Alexx-Okay (laughs) Um, all over. I mean, you might have heard stuff that you might not have known was mine, but it was playing on t.v. A little while ago, for about a week long, my song ‘Morning Pill’ was featured on One Tree Hill for one of the major promo campaigns that they were doing. Just recently, it’s actually a funny story about this one, my song ‘Pull It (Bullet)’ was featured on a major Cross Fit Games competition video. It was really funny because usually when my music gets licensed, I notice my web traffic goes up a lot, and I get some really unusual friend requests. For example, when my music was playing for the Cross Fit Games promo, I kept getting all these bodybuilders adding me and stuff on Facebook, and I’m like, that’s all cool ya know, but all these people are really buff. I’m wondering what the hell went on that, ya know (laughs), all these bodybuilders are contacting me. One of them contacted me, and they’re like, “Yeah, man, I heard your shit for this Cross Fit Games thing, and I just downloaded it on my iPod, and I’m fuckin’ benching right now to the song.” I’m like, alright awesome (laughs). It was just hilarious. Yeah, so that’s another avenue that my music was played. I do a lot of vocals for commercials. I’ve sang on a ton of different commercials. And, I’ve had some major publicity in Guitar Player Magazine, Guitar World, Blender. Some of these huge blogs like Gizmodo, I was on recently because I sang in a Coachella video. So yeah, it’s a little bit of everywhere. It’s just kinda like I’m in this weird, weird kind of spot. Sometimes I get some of these mainstream opportunities, but nothing has come to a head just yet. It’s like I’m right on the cusp of hitting something big. But, it’s not entirely there yet. I’m gonna be 26 next month, so it’s been like a steady crawl for several years since I’ve started out, but I think it makes you much more appreciative.
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OKWFO-Yeah, this is a reason why I wanted this interview, to be able to talk to you just before you cross that cusp. That’s kind of a big deal to me.
Alexx-Awww, thank you. I appreciate that.
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OKWFO-Where are the best places people can find your music?
Alexx-I’d say, just because I want the web traffic (laughs), I’d say alexxcalise.net is the coolest place.
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OKWFO-Okay, can you also talk about some of the various charities you are involved with?
Alexx-Sure. I’ve been involved with quite a bit over the past few years. I just really like doing it. I think it’s so much fun to work with some of the kids that I’ve worked with. It’s just so rewarding, so I think everybody, regardless of whether you’re a musician or not, should just totally get involved in any charity that you can. Right now I’m involved with an organization, they’re fantastic, they’re called Wear Your Music. How it works is I send in my used guitar strings, and they wind them up, and make bracelets. Really cool. I actually wear them all the time myself. They have them in all different colors. But, what happens is, when you buy a bracelet, say you buy one of my bracelets that’s from my used guitar strings. It’s a hundred dollars, and all of the money goes directly to the charity of my choice, mine being the Traumatic Brain Injury Foundation. All the proceeds go there. It’s a really great organization. They’re super cool, too. They have a lot of really cool jewelry; in addition to that, all the proceeds go to charity. Also, I’m involved with P.A.C.E., Promoting Academics through Creative Expression. What they do, they have a slide show that illustrates the importance of being educated. They’ve got all these different middle schools and high schools in L.A. County, and following the slide show, there’s all these different artists that perform, myself included. It’s a really, really fun time. Up until a little while ago, I was with an organization called Coach Art. I was giving voice lessons to a child that had some pretty serious things happen to him, some traumatic stuff, a lot of health issues. It was a really, really fun, rewarding experience, and he was a great kid. It’s just fun. Any way that you can support your community, it’s just so awesome to be a part of stuff like that. Makes me feel very appreciative of the things I do have, having air in my lungs, and having my health.
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OKWFO-Lots of respect to you for doing those things.
Alexx-Thank you. Thank you. Don’t have very much free time, but it’s cool to do stuff like that, and it’s fun. I enjoy it.
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OKWFO-Let’s get into the albums. Morning Pill came out in 2007. What was your primary inspiration for that album?
Alexx-Let’s see. I wrote most of that album from 2003 up until 2007, so a lot of that album, when you listen to it, you kind of get the impression that it’s a coming of age kinda album, and it was. When you’re younger, especially for me, and being a young artist, you’re going through all these really weird changes in your life. You’re going through kind of a metamorphosis. I didn’t really know who I was, but at the same time knew who I was, artistically speaking. It was kind of a reflection of that. It was like a musical diary I guess you could say. There was a relationship I had that was kinda toxic that inspired a few of the songs. More than anything, it was kind of like an introspective, emotional album for me. I was going through a lot of changes in my life then. Ya know, just as a young person growing up. I think you can really get the vibe of that in certain songs like “This is Me”, “Falling”, or “The God-Like Song”, but it’s definitely one of those albums you could hear on One Tree Hill, which of course, Morning Pill was on (laughs)
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OKWFO-The only ballad is ‘Cry’. Why and how did that one become a ballad?
Alexx-Cry, I actually wrote that song in 15 or 20 minutes. It came flowing through me. It was just, sometimes I get in these moods, and I think anybody who is an artist will understand this. Nothing in the World could be going wrong, but inside you feel like everything is going wrong, and it just doesn’t make sense. And, that is what I was feeling at the time. I actually relish those moments, as horrible as they are when I’m experiencing them, because songs like that come out of them.
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OKWFO-It’s a gorgeous song, and with all your songs, your vocal range is showcased very well, but that song in particular to me, is just beautiful.
Alexx-Awww, thank you. Thank you. That’s the one where I felt like I could do that a little bit more with. As opposed to a lot of these songs are like, “Fuck you! In your face!” (laughs) This one was kind of a breather. It was just one of those moments that I had. Sometimes you need a good cry. You just need to sit down and let it all out. That’s what that song was about, and that’s what inspired me, one of those dark moments that I love and hate so much.
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OKWFO-Talk to me about “In Avanti”. Inspiration for that album?
Alexx-The inspiration for that? I’m not going to go into great detaiI because I’m not the kind of person to bad mouth others, but there was a certain person in my life that took total advantage of me and the situation. They were not a very good person. I think you can hear that in the tone of certain songs like ‘Get Used to It’ or ‘Good Enough’. That person knows exactly who he is. I swear to God, the pen is mightier than the sword. Like I say in one of the lyrics in one of my songs says, “I know you’ll get yours in the end.” It certainly happened that way for that person. I’m not a vindictive person by any stretch, but I find that writing about some of these experiences is very cathartic and therapeutic, and it needs to happen because if I let that kind of energy fester inside of me, I’ll just become a very negative person. I actually like the fact I am mellow and cool, and that’s because I get a chance to get it out in my writing. I’m not bitter despite what people might think when they hear some of my albums, like in ‘In Avanti’. The whole album was basically inspired by that situation, and me finally finding who I was. It was kind of like the shedding of my skin from my first album. I finally found a producer that I was meant to work with. Everything just kind of came together when I moved to L.A. That whole album was kind of like the awakening.
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OKWFO-Your redemption. I listened to both albums twice. There is one song in particular, I don’t want to say it’s my favorite, but I’m usually the very hard rock, very heavy metal guy, but Pull It (Bullet) was badass. I mean that guitar riff just kills. To me, that’s the hardest song off both albums. There’s something about that song that made me listen to it a dozen times in a row. Was there anything behind you going a little “harder” on that song in particular?
Alexx-Well actually, that song was completely done by accident. I was working on it with 2 different people, one of which I never had the pleasure of meeting. That’s the beauty of the internet. I wrote it with another producer named Cristian Delano, and now he’s working with some huge people, so I’m very proud of him. He was actually just up for a Grammy nomination for Lady Gaga’s recent album. He showed me the riff, and I was like, “This is fucking awesome.” Normally, I’m not really into the hip hop thing all that much, but there was something about that song and the mixture of the guitars and everything that I was just like, “I gotta jump on this.” I wrote the lyrics and the melody over the next day or two after I heard it, and then we dropped the vocals on it. This is so cool. It really doesn’t have a genre. It’s kind of defiant of genres. It just hits you in the fucking face. It’s been used in a ton of these different extreme sports kind of things just because it has that hard-hitting, anthemic chorus.
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OKWFO-Gonna put you on the spot. Do you have a favorite song of yours?
Alexx-There’s 2 in particular that resonate with me. I love ‘Morning Pill’. That song I actually wrote when I was 16, and that’s the song that kind of gives me the chance to showcase my vocal range. Whenever I perform it live, that song in particular is the one, regardless of whether or not they were listening, everybody in the room just goes silent. It’s so bizarre. Everyone just shuts up, and you can hear a pin drop anytime I play that one. I just think it’s because of the passion in that song. I don’t even think it’s captured correctly on “Morning Pill”. If you ever get a chance to see it live, you’ll see what I’m talking about. It really just comes through. It’s one of my most passionate songs. Then, ‘Out of Sight’ definitely.  I wrote that song with Luigie Gonzalez, my producer. When he showed me the chords for that one, I was just like, “Oh my God”, and that melody just came to me. The whole song actually is about the existence of God or whatever incarnation of God you want to call it. It’s kind of a song that’s saying, “ I’m down here on my knees, I’m completely vulnerable, and I don’t have anybody else to turn to…except for you”, whatever that higher power is. I wrote that one, again in one of those really dark moments that I had. I had just moved to L.A., didn’t have any friends, and living on a couch for 6 months. I was just like, “I don’t know if I can do this.” I swear to God that song saved my life. It sounds really cheesy, but sometimes as I’m listening to it by myself, I get all choked up because it takes me back to that moment that I was feeling, when I felt like I didn’t have anything. Then, all of a sudden, this whole presence wrapped itself around me, and I felt okay. That was the first time I felt some kind of outer-worldly or otherworldly presence. And, it made me feel everything was going to be just fine.
**********
OKWFO-The band that plays live with you, are they the same that helped you in the studio with those 2 albums? Or, did you do those on your own?
Alexx-One of the guys that is playing with me now, Dennis Morehouse, my drummer, he played on some of ‘In Avanti’. At the time though, I didn’t have a steady band, so a lot of it I had done myself. My producer had done a lot of the guitars as well, and I had some help from some other guys I had worked with in the past. The current lineup I am playing with now did not, for the most part, play on this record.
**********
OKWFO-What genre would your file your music under?
Alexx-I’ve been calling it “Rocktronica”.
**********
OKWFO-Can you tell us about SOC, and what can we expect from it?
Alexx-Well, SOC actually stands for Sound of Cancer and is a project I have with my drummer for my solo project, Dennis Morehouse. This particular project is just going to just hit you in the fucking face, and I mean that in the nicest way possible. It’s totally different than my solo project. It’s almost unrecognizable. It sounds like a cross between Portishead, Love and Rockets, The Cure, Marilyn Manson (early Marilyn Manson), and Massive Attack.
**********
OKWFO-Holy shit.
Alexx-Yeah, it’s really fuckin’ trippy.
***********
OKWFO-Is there a release date for Sound of Cancer yet? Are there any teasers?
Alexx-There is no definite release date of it yet, but we are almost finished with it. We have some post-production stuff to do, then we’re gonna get it mastered, but other than that, we’re almost entirely finished with it. You can actually go to soundofcancer.com, we have one of the mixes posted up there.
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OKWFO-Awesome. If there is anything else you wanna say or talk about, it’s all yours.
Alexx-I think I’ve talked enough for a small country honestly (laughs). Don’t know what else I could possibly say. I’m kind of long-winded when it comes to this stuff just so the person I’m interviewing with has plenty of stuff to work with (laughs)
**********
OKWFO-Okay. I’ll leave ya be, so you can go about your daily business today. Thank you again for the time. Looking forward to seeing and hearing more of you in the future. If I tell you that you have a bright future, it might not mean shit, but if I say it now, and you explode on the scene, then I have bragging rights (laughs) (Alexx laughs). Seriously though, you just keep doing what you’re doing, Alexx, more and more people are going to take notice. That’s my opinion. Again, thank you for your time. I really appreciate it.
Alexx-Thank you, and back at you.
Pull It (Bullet)
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It was quite by accident and random conversation that I was introduced to And We Were Saints, about 3 months ago. I was talking to a friend on Facebook, and he just happen to ask if I and our website were involved in the music business. I explained to him what the House was about, and he told me about a band his son Colby had help record a demo for. He told me about the recording studio his son had in a room of the house, so of course I’m thinking, “Uh oh Homemade band”. However, I was intrigued for sure, but also still thinking to myself, ” homemade band”. Then I received by email a couple of tracks they had recorded, I was absolutely blown away.  These guys had produced these tracks in just a room in a house? I kept repeating that to myself over and over. I knew right then I had to do an interview, and bring you And We Were Saints. I was even more stunned when I found out they had no label!  They just had  their friend (Along with his phenomenal music production skills) Colby Mike and his in home music studio Echoes Recording Studio Marion LA(HINT:Record Labels & Serious Musicians/Bands) .. To me there is no more greater testament to their absolute commitment to their music than that fact…….
(Correction: Since first publishing this article it has come to my attention that AWWS first EP, Going Home was indeed recorded by Tyler Orr of First Street Studios. The new album and tracks are being produced by Colby Mike and Echoes Recording Studio. My apologies to any and all involved…The Monk)

So obviously you guys have a unique and very cool name BTW. But can you tell us, where did the name come from?

AWWS- As far as the meaning of the name, it’s more or less a reflection of our childhood, but from the point of view of us as old men.  As we look back on that time it becomes this sense of purity that we feel can’t be obtained, but hope for.

Was it your original choice or did you play around with names?

AWWS-We were in a previous band called The Medic, which was myself, Jimmy, and Josh. That name was voted on over We Were Saints so when Josh and I started this new project we just took that name as our new identity. Then Samuel joined and brought the and with him.

So can you introduce each of the band members to us? Name and instrument?

AWWS- Josh – guitar, keys, vocals.  Jimmy – bass  Zack – percussion, vocals, keys    Samuel – guitar

Can you also give us a little history of And We Were Saints?

AWWS- In the beginning it was two acoustic guitars, a snare drum, me, Josh, and Samuel.  We started without a bass player simply because the only one we knew was Jimmy and he was already working with another band, The Flying Humanoids, so we just did without.  After a little while we realized that we needed the bass to fill out our sound, so we hooked up with a guy named Seth.  He played some shows with us and added some great new perspectives for us as musicians, but ultimately Jimmy became available and we all decided that the years we had played with him were a valuable piece to our puzzle.

Can you share with us why you guys decided to make music together?

AWWS- I think it had a lot to do with all of us sharing a passion and enthusiasm for music.  It’s in a sense what gives us life, it’s what fills our voids. Plus we all get along really well and are really good friends, it just so happens we all play different instruments, so it worked out.

You guys do not have a label yet, which BTW just completely floors me. Can you give us an idea of what that’s like and trying to get your music out there to the masses?..

AWWS- It’s a struggle, it’s a very hard thing for us to do.  Especially since we all have full-time jobs, Zack has a family, and Samuel’s in school.  It’s not as easy as get in a van and go, we fund ourselves, we plan our own shows, we do as much as we can when we can.  It puts a strain on our personal lives for sure.  We do it because we love it and we’re passionate about it.

What are some of your music influences, and how did they influence you? Yes I would like each member of the band to answer..

AWWS- Jimmy – As Cities Burn (RIP), Manchester Orchestra, Thrice, Lovedrug  Zack – I grew up listening to Garth Brooks and Bone Thugs n Harmony so that’s what got me interested in music, as far as influences on my song writing I listen to a lot of Incubus, Conor Oberst, Delta Spirit, Dr. Dog, and Cold War Kids.  Josh- The Deftones made me pick up a guitar, Radiohead, As Cities Burn, Dredg, and Matthew Good Band have had profound influences on me as well. Samuel- Underoath has easily been one of my biggest influences, when I first heard them I couldn’t believe that music could be that emotional and that raw it was amazing. Some other influences would be As Cities Burn, Brand New, Thrice, Damien Rice, Manchester Orchestra, O’brother, Colour Revolt and the List could go on and on.

How has your music evolved since forming and starting to make music together?..

AWWS-Tremendously, it’s definitely taken time for us to become comfortable and confident in what we were doing.  It was very folky at first and has evolved into something that hopefully comes across as passionate, delicate, and full.  We want people to feel something when they hear our songs whether it be sadness, nostalgia, anger, or love.  Not only has our music evolved, but I think our bonds as friends have evolved as well, in a sense we have become brothers.

What has been in your opinion the biggest challenge musically as a band?

AWWS- I mean, in this day and age you can have everything at any time, and if you can’t then you don’t want it.  Bands live on ones and zeros, if you want to hear something you go listen to it on your ipod or your computer, if you want to see something you do the same, that doesn’t make money though.  For unsigned and un-established bands that’s a huge disadvantage, but also at times a big advantage.  In our opinion music is best experienced face to face, where you can see the emotions, feel the emotions, and be a part of the emotions and experience.

Sorry but I have to ask the dreaded question haha. Where does the music come from? Who writes the vocals and comes up with the music? Is it a band effort or more of an individual effort?

AWWS- It comes from our lives, from our emotions, and from our spontaneous ramblings.  Josh may write a guitar line that spawns a scene in Zack’s mind, which then may leap over to Samuel, and then change what Josh was doing all together. Jimmy may come in with an idea for a song topic, which turns into an idea on Samuel’s guitar.  It’s definitely a group effort with all of us feeding off each other.  As far as vocals, Zack and Josh handle that. They may write something for the other one to sing or steal something the other person said and run with it.

Have you been out on tour yet? Do you have a tour planned?

AWWS- We’ve really just been weekend warriors so far, going as far as we can in a weekend and then getting back for our daily lives.  We play where we can when we can, but have yet to really hit the road. We do have some shows in South Texas coming up and some possible dates out towards Atlanta. We hope to play a couple of mini tours this summer just to get our music out to different areas.  We will gladly play anywhere that people will have us, though.

Can you give us some dates?

June 2 San Antonio; June 3 Austin; June 4 Houston; July 12 Atlanta; July 25 Monroe, LA.  We should have a lot more coming pretty soon so be sure and check out www.andweweresaints.com for the updates.

I gotta ask because I have never done it before, but what is your favorite thing about playing a live show?

AWWS- Seeing people turn and get into what we’re doing.  It’s a good feeling, it makes everything we do justifiable.  It’s really cool to be able to lose yourself in a song or a set of songs for an hour and half.

Back to the music, what genre do you consider your music?

AWWS- Indie rock with passion and angst.

To each of you, what are your favorite songs that you have recorded and why?

AWWS-Josh – Hands Clasped, I think out of all the songs we had on Going Home that song came together the best.  It’s like an epic movie in my opinion.  Jimmy- I didn’t record on the ep but I think that Intent to Discover had the biggest buzz, and with good reason.  Zack – I would also say Hands Clasped, it’s kind of a break up song that ends for the better.  There’s a line that says “Thank you for not loving me, I found my wife, I found my child.”  That sums up the most important time of my life personally. Samuel – My favorite would have to be a song called Bleached Assassin. It was one of the first songs we ever recorded and in my opinion is the most powerful song we have ever written. We never actually released the song but hopefully we can squeeze it in our full length we have coming out.

What do you have planned in the future?

AWWS- To Rule The World! to live the dream and do this as a job. We want to look back on everything we’ve done and say that we gave it a shot, we did what we could.  In the end I think only good things can come from this experience that we’re sharing in.  Currently we are recording a new full length album, and will be working on a video pretty soon.  We should have a lot of updates on our website in the next couple of months.

How would fans new to your music be able to get hold of it?

AWWS-Our EP is on iTunes and amazon.com. They can come to shows or check out our website or Facebook.

Is there anything you would like to tell people who are hearing your music for the first time?

AWWS-Thanks.  Just know that we are humbled by your interest and very gracious.  If you don’t like it then find some music you do like and immerse yourself in it.  Music is a universal cure for all things.

Hey guys thanks for being awesome and answering these questions. Your music is out of this world good and I am in love with it. I will give you the last words here, is there anything you would like to say or add?

AWWS-Give us money!  Kidding, in all seriousness, contact us, we want to play wherever we’re wanted.  We look forward to seeing new faces on the road, and hopefully form some friendships through music.  Thanks so much for reading.

Please check the And We Were Saints Facebook page and be sure to “Like” it…
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This is titled ‘Hands Clasped’ it will floor you! Click the picture to start playing…
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(Editor’s Note: About three weeks ago I came across these guys quite by accident. A friend of mine and a Contributor to Monk’s House, OverkillWFO was looking through another bands Facebook page and came across Kill The Maestro. He emailed me and suggested I take a look, so of course I did. I was immediately blown away with their music and the potential I see in them. I immediately loved their whole style. Their music reverberated with me, and I knew immediately this band was going to be a future epidemic. I contacted the band over Facebook, and they are an awesome group of guys. They right away agreed to do an interview for us. What follows below is said interview, but I would like to take the time to tell you how much potential I see in these guys. This is my first ever interview with anyone, and I would never think of wasting your time. These guys are a dedicated bunch of musicians who’s goal is to bring you rock solid music with their own unique style. Their guitar is out of this world solid. The vocals bring you what I believe is a unique style and sound, lacking in today’s many bands out there. The song I play below is from a demo, they have an EP due out soon. But I want you to think about that for a second. Imagine the sound and vocals of Kill The Maestro when they debut their first album. I want you to see past their  demo and look and feel their music. They have that spark that maybe one in a thousand bands has. They care about their music and they care about you the fan, but most of all they have dedication. They make their music for themselves and not anybody else, and that my friends is sorely lacking in today’s music world. What kind of musician are you if you make music you THINK others want to hear? Your first and only priority as a musician is to make music you want, music that touches you. Not some fad that you think people will eat up. When you stay true to yourself as a musician and a band, that is where dedication comes from. As you will see below, that is exactly what Kill The Maestro does. What I find refreshing in this interview is they show their humorous  side also. They give you a peek into their world of music and what goes into their music. You can find more of Kill The Maestro at their website and their Facebook page. Without further ado may I present to you Kill The Maestro.)

 

 

10 Questions with Kill The Maestro

 

 

The Monk. In your own words can you give me a little bit of history of the band? How did you guys meet and form?

 

KTM. . (Nick)- Well, Joe and I have been playing music together for the last 10 years on and off.. We were in a couple of bands together in the early 2000′s here in Syracuse.. Then I went into the service in 04′ and when I came back we decided to start a new project. We wrote a few songs just the two of us and then we started our search for a bassist and vocalist..
(Joe)- We stole Kinney from a cover band when we seen him playing out with in good ol’ Sandy Creek, NY. lol
(Kinney)- They thought I was good or something.
(Nick)- Or we just really needed a bass player. j/k
( Joe)- After we acquired Kinney, I met Steve on Bandmix.com and knew right away that he was worth keeping around.. Nick and I have had a bad history with vocalists. lol
(Nick)- A horrible history… nuff said
(Steve)- Well I’ve been writing songs for over 10 years and finally wanted to move on from working on solo projects and into collaborating with other people to put together a live project. I had some other bands send me their material and I wasn’t feeling it.. When these guys contacted me and sent me some of their work there was an instant connection. The chemistry was there and we’ve been progressing ever since.

 

The Monk. What’s it like getting your name out there, and getting “known”?

 

KTM. (Nick) It feels good to get some momentum going behind us. Facebook and Reverbnation have been an important tools for us.
(Joe) I feel that we are getting known in the local Syracuse area but would like to get more of that momentum going in other areas.
(Steve) Obviously the more of a following we have, the better.. We make the music for ourselves, but it’s a great feeling when people connect with it.
(Kinney) From all the recognition that we have been getting it’s been a great feeling!
(Nick)- KTM is WINNING!! lol

 

The Monk. Ok so Forsaken and Lacerate are my two favorite songs by you guys, give me the low down? What inspired the songs where did the lyrics and music come from?

 

KTM. (Steve) I react to whatever is presented to me.. When I heard those songs I felt something and responded to it. Music itself is an entity of emotion, the instrumental body of these songs alone are what inspire the lyrics and vocal melodies.
(Nick) Well put.. Forsaken is one of the first songs we wrote as a band and it came together real easy. Steve’s vocals and lyrics compliment the music really well and that’s one of the songs we’ve had the best reaction to.. Lacerate is one of our newest songs that is part of our upcoming debut EP. The feedback that we’ve gotten on this song has been phenomenal and I’m very happy people dig it so much
!

 

The Monk. Where does your music come from? Do you decide as a band or is it more personal?

 

KTM. (Nick) It’s basically a dictatorship. I’m in complete control of this band.. I am the “Archduke” of Kill the Maestro. lol
(Joe) Shut up dude. lol… Alot of our music comes from improv jamming, but on my part my drumming feeds off of the guitar and vocals.
(Kinney) Nick is definitely the one in complete control of the music and I do as I’m told. And he is a complete tool! lol
(Nick) Its Archduke to you buddy..
(Kinney) It’s a mix. We decide as a band and we work off
of our personal ideas.
(Steve) Its personal. Fuck all you guys

 

The Monk. Who inspired you guys and your music?

 

KTM. We’ve been inspired by bands such as Tool, Metallica, Zeppelin, A Perfect Circle, Deftones.. the list goes on forever. Friends and fans are truly what inspire us to get up there and perform. Without them there would be no Kill the Maestro.

 

The Monk. What is your driving force to get out there and play to produce an album?

 

KTM. This might sound similar to our answer to the previous question but our friends and fans are what inspire us to do anything including performing and producing an album. The process of creating something bigger than us and being able to share with everybody is the only inspiration we need.

 

The Monk. Steve you have a unique vocal sound, tell me where that comes from?

 

KTM. (Steve) We all develop as individuals by our surroundings. Our opinions, interests, and even our talents are a reflection of what we’ve been subjected to throughout our lives. There’s no one specific place that my vocal sound comes from other than everything I’ve experienced throughout my life up this point.

 

The Monk. Can you give me any kind of idea or time frame on the first full album?

 

KTM. We’re going to be releasing our debut EP consisting of 6 songs sometime in early June. An actual release date hasn’t been set yet but we have released two songs from it as singles so far – Lacerate and Broken and Faithless. They are available for streaming and free download at www.killthemaestro.com and you can also check them out on YouTube

 

The Monk. . What goes into a live show? How do you mentally prepare?

 

KTM. (Steve) Alcohol!!
(Kinney) Getting loaded
(Nick) Beeer..
( Joe) Meditation
(Kinney) lol. I like to get myself pissed off before I go on, and I
take my aggression out onstage.
(Joe) I’m intensely focused on the day of a show and get bursts of adrenaline throughout the day leading up to it. By the time we go on I’m ready no matter what.
( Nick) I like to get as much practice in as I can before a show so I have complete confidence going on stage and can let loose up there.
(Steve) It’s all about the crowd reaction when playing live. Aside from just playing the music we combine a physical element with it and put a strong focus on involving the crowd with our performance.

 

The Monk. What is the future of Kill The Maestro? Tell us some plans and what you would like to see. Where will the music go?….

 

KTM. We’ve got some great things happening in the near future..We’re going to be releasing our debut EP in late spring/early summer. It’s been a long time in the making and we’re very excited to finally share it with our fans and hopefully make some new ones.. We’ve got some great shows coming up including the Exposed Music Festival sponsored by Fuse TV and Jagermeister. This show will take place on May 1st in Rochester, NY! And on top of that we’re going to be guests and will be performing on Scorch’s PFG-TV based out of New England in late May!! So some great things are in store for us in the near future and we can’t wait!!.. As far as where the music will go, you’ll just have to wait and see…

 

.
Steve, Nick, Kinney and Joe thank you so much for giving Monk’s House and its readers the time to answer these questions. We see the sky as unlimited for your future. Please check out Kill The Maestro at their website, www.killthemaestro.com. Also please become a fan of theirs on Facebook, let’s get the news out about this new kick ass band. Thanks as always dear readers.. The Monk……

 


Forsaken

Broken and Faithless.