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Those that know me on a personal level know that movies aren’t really my cup of tea. I find a lot of Hollywood movies to be unoriginal with plot development and creativity in storyline development. I much prefer going to a concert, musical, or play as opposed to go to a movie. In essence, due to my short attention span, and due to myself having difficulty just sitting down and watching a movie, I have the tendency to get bored quite easily with a particular movie. This past Friday, after work, I was invited by a friend to go see “Act of Valor” which primarily consists of active Navy Seal members as the cast of this particular movie.

I was also intrigued by the various reviews I’ve read and I figured, it’s something original, therefore, I’m going to give it a shot. In essence, the plot of this movie is a group of Navy Seals attempting to stop a Jihadi-terrorism plot that occurs in the Mexicali area of Baja California and the northwest part of Mexico. This group of Navy Seals leave everything behind in an effort to prevent this catastrophic terrorist plot that would collapse the world economy and I quote “make 9/11 look like a walk in the park”.

Regular movie critics will complain about the acting in this movie. Keep in mind, my readers, these active Navy Seal members are not professional actors, they are Navy Seals. However, due to the intensity in certain scenes that had actual live-action fire rounds going off, what these brave men have probably went through brought a real sense of authenticity to the various scenes. Because of this authenticity in the imagery, it caused the average movie attendee to be on the edge of their seat and attempt to develop a sense of understanding of what the men and women in the military do everyday. There are mulitple missions and exercises in this film, and the first-person shots from behind the assault weapons are original and uncanny. The attendee will definitely appreciate the funeral scene, the reading of the quote from a pilot killed during World War II, and especially reading the quote from Shawnee Chief Tecumseh.

What these Navy Seals brought is a breath of fresh-air to the dry movie spell in Hollywood lately. The scene where the two Seals walk off after talking about their latest mission is a scene that is especially memorable. It’s that complete confidence and self-control, that swagger if you will, that they are the best in the world at what they do. It’s a feeling that they have ice water in their veins in the heat of the battle, and the attendee can sense that. This is a movie that captures the imagination of what the members of the United States military goes through on a daily basis, it’s stories of triumph, paying the ultimate sacrifice, and courage. All politics aside, definitely take a night off and go see this movie.
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Drive is a film I was excited for the moment I heard about it. Ryan Gosling – who is reaching Must Watch Anything He’s In territory – stars alongside Carey Mulligan, with Breaking Bad’s Bryan Cranston, and the great Albert Brooks in supporting roles. The film doesn’t waste any time setting up the premise and introducing you to Ryan Gosling’s character, simply known as the Driver, or the Kid. We never find out his name, and it is all the more fitting that we don’t, much like in Fight Club. The Kid is a stunt driver for the movies when the sun shines, and a getaway driver by the moonlight. Drive’s opening scene involves the latter, and you immediately find out how calm, calculated, and seemingly composed The Driver is, no matter how intense the situation at hand may be. He conducts his business exactly as he tells his clients he will, and is talented enough at it that he seems more interested in the LA Clippers game that he has on his radio, than he is with the current task at hand. We aren’t privy to any history about the Kid, and I think it’s better that way. They set the movie up, we find out what he does and how well he does it, and then the story truly begins.

After his initial moonlighting job, he heads to his apartment, where we are introduced to the absolutely stunning Carey Mulligan. She portrays her characters with such ease and skill, that it’s impossible not to enjoy her every moment she’s on the screen. It is no different in Drive. Her introduction is equipped with a slow motion shot, and it’s easy to see why. Carey, or Irene, and the Driver are made aware of each other on the elevator both on their way up to their apartments. Hers is just down the hall from his. Their exchanges and dialogue throughout the film are short, concise and perfect, and their meeting on the elevator is no different. They say almost nothing, but they both clearly note the other and take in everything they can in the few seconds they have. It’s a nice introduction to the dynamic between both characters, which is one of the most, if not THE most, engaging and lasting aspect of the film. Gosling and Mulligan are flawless together and it is as though they have been acting with each other since they both began. In fact, all the main characters in Drive have a great chemistry, which is very much a credit to the director, Nicolas Winding Refn. He really lets the movie breath. He never tries to cram too much into any scene. He instead gives us precise, creative shots, and lets the actors and the scene itself unfold. There is no filler here, as every scene is exactly as it should be, and you never get a sense that the film drags or is wearing out its welcome. It is very rare in Hollywood that someone makes a dramatic thriller that isn’t filled with explosions, overly dramatic acting, poor writing, and the philosophy that excess, and More More More is somehow better. Drive is the anti-action film, as it goes about doing its thing in almost the complete opposite way of the norm.

The always talented Bryan Cranston plays Shannon. He is the Driver’s boss (and the one that calls him The Kid) and he owns an auto repair garage. He hired the kid on the spot the day he drifted into town five years or so previously. He’s been his agent and mentor so to speak, ever since. He hires him out to film companies, he does stunt work for them, Shannon gets half, and the Kid never thinks twice or bats an eye about it. He is so quiet and soft-spoken, but there is always that glimmer of danger about him just under the surface, enough to where we can catch a glimpse of it, but have no idea what sort of event or feeling would have to occur to bring it out from the depths of his inner turmoil. There is obviously a lot of layers and darkness to this kid, and we never find out why. It is the most intriguing, exciting thing about him.

Once the main characters are introduced, we find out Shannon wants to start a business venture into the world of racing. The Driver would of course be his star, or rather his Golden Ticket to riches and success, which seems to be Shannon’s motive for everything he does. He’s a schemer and a bullshitter, but we never get a sense that he’s a bad person. He has a bit of fatherly instinct when it comes to the Kid, and although he doesn’t exactly do what is best for him at every turn, he never seems to want anything but the best for him – as long as it increases his own bank account. To attempt success in the racing world, you of course need a car. That’s where Albert Brooks’ character comes into play. He used to produce actions movies in the 80s – a definite nod to a lot of this movies’ inspiration – and seems to be somewhat of a crime lord now. He loans Shannon the money, he meets the Kid (in a great scene where the tension strings really begin to tighten and the plot takes off), and the dangerous thriller element enters into play. I need to specifically mention the score of this film, brought to us by Cliff Martinez. It accentuates every scene in the film, especially as the tension builds. The music is cold, mostly electronic, and is very much alive (or dead rather) with the spirit of the 80s. Drive really has the feel of an 80s-era film at times, but in no way is that a bad thing. It takes out all the cheese and fluff a lot of action films from that day possessed, while retaining the almost mechanical solace that can be found in many of them. The score was vital to the vibe and the mood of the film in every way.

There are two elements of this film that really stand out to me. One is the way the scenes with Irene and the Driver are filmed. The lighting and the shots are almost euphoric, as if presenting this world of golden possibilities for the Driver where he can have this fantastic woman and her son, who he has an immediate and telling connection with. He seems to recognize what is pure, and perhaps even experiences a bit of nostalgia for a time when he might have been the same. That time is clearly far behind him, and it has been replaced with a stark, intensely protective nature, for the child and for Irene. Those are seemingly the only things that could break the complete control and restraint he exudes at every moment, be it serving as a getaway driver, or even the way he removes his driving gloves. The other element is what sets this movie apart from your average thriller. Much like Albert Brooks’ apparent preference and usage of sharp blades, this movie cuts with such a cold precision. The violence is scathing and alarming. It’s quick and abrupt and is completely unsettling. It is really a testament to the director’s talent that the movie transitions between these two elements with such ease. One moment Irene and the Driver take a stroll on the highways and byways of Los Angeles, and have such a beautiful moment together where everything is right in the world and there is no need for even a word of dialogue. Other moments, everything is flipped, heads are blown to bits, skin breaks as easily as the child’s innocence, and unavoidable chaos is rampant. I can’t express enough how engaging this film is from start to finish. There is a clear plot structure here, from the buildup to the climax, and it makes it all the more enjoyable to watch. Every moment is pure cinematic bliss; from the Driver’s serene solo strolls through the city at night, to the unquestionably romantic allure of him and Irene’s relationship, to the devastating violence that is experienced by them all. This is a film I can see standing the test of time, and remaining fresh in my mind and my heart for years to come.

Directing: A+. Under the direction of just about anybody else, this film would not have been executed like it was. Flawless direction.

Acting: A. Everyone acted with such skill and restraint. Gosling, Mulligan and Brooks all deserve Oscar consideration, though they were all snubbed.

Score: A+. The mood music and specific song selections could not have been more fitting for each scene they were attached to. It is probably a bigger Oscar snub than the actors and director that did not get a nomination.

Dialogue\Writing: A. It gets an A more for the intentional lack of dialogue than the actual dialogue itself. Sometimes less is more. Especially if the actors and director know how to pull that off.

Final Grade: A. I haven’t seen a film this memorable and impactful, with such a high rewatchability factor, in a long time. This is the Best Film of 2011. 

This past holiday weekend, I was able to take in a movie with some friends. Hollywood seems to be putting out a lot of over- hyped, high-priced drivel lately, so it’d been awhile since I’d decided to drive to the theater and spread my cheeks at the admission window. There was a general consensus amongst my friends and I to go see the latest installment of the Transformers series. We also opted for the 3D version. I thought this would be an Optimus “Prime” opportunity to share my thoughts on the show.

First off, I want to make it clear I went into this movie with pretty much no expectations. I liked the Transformers of the 80′s while growing up, but G.I. Joe was my primary interest. I thoroughly enjoyed the first Transformers movie but was somewhat disappointed in the sequel, “Revenge of the Fallen”. Add to that the fact that regular love interest/scantily-dressed Megan Fox was absent, left a lot of question marks. And, as I mentioned, the mass quantity of Hollywood garbage that’s been making its way to the big screen, yeah, I had zero expectations. The one thing I was certain of, there wouldn’t be any shortage of CGI or Michael Bay action explosion sequences!

I must say, I walked out of the theater pleasantly surprised by the third installment in the Transformers franchise. I thought the story was intriguing, had some surprising twists, the flow was good and never seemed to drag on. They even incorporated historical bits into it, which I thought was great as I’m a bit of a history buff. The movie starts out with the ongoing battle on Cybertron between the Autobots and the Decepticons. The Autobots were losing the war, but apparently had developed a new technology that could swing the tide in their favor. “Sentinel Prime”, then leader of the Autobots, boarded a ship with this new technology and attempted to escape the planet. Unfortunately, the ship was shot down and crash landed on…..you guessed it: the moon. It was 1961, NASA detected the crash, and notified President John F. Kennedy, who then declared the urgent need to reach the moon before the Russians. Years later, when Neil Armstrong landed on the moon, his first task was to inspect and search the crash site. I thought it was pretty cool how they incorporated the “Space Race” into the story. Later on, the Chernobyl nuclear disaster was mixed in as well, adding intrigue to the Russian involvement. I don’t want to go too in-depth on the story itself so as to not spoil anything. If you’re a transformers fan or have seen either of the first two, the meat of the story is the Decepticons/bad guys are trying to take over the world and the Autobots/good guys are trying to stop them. The final battle sequence between the Autobots & human forces vs. the Decepticons ended up being quite a lengthy one that was very action packed. But in comparison, the big showdown between Optimus Prime and Megatron seemed somewhat short.

As far as the cast goes, it was mostly intact from the previous films. Shia LaBeouf of course, John Turturro, Josh Duhamel, Tyrese Gibson, etc. The only difference, albeit a huge difference, was the absence of Megan Fox. There’s still a lot of speculation as to why she wasn’t brought back for this film. My guess is they didn’t have enough cash in the special effects budget to constantly digitally cover all the lame, cheesy-ass tattoos she’s gotten the last few years. I was skeptical about her being gone, but let’s face it, she never really played a critical acting roll. She primarily just had to stand there, look hot, contort herself in cut off shorts into a really awkward position to detail paint a motorcycle, and run when the script called for it. But, she did all these things so well! I don’t care what anyone says, when you start swapping cast members, it can really mess with the chemistry. Especially when you’re accustomed to seeing that particular person playing that particular role. Well my friends, let me say that after the movie had ended, one of the first things that came to mind was: “Megan who?” Victoria’s Secret model Rosie Huntington-Whiteley filled the new eye candy role quite admirably as “Carly”. Her first scene left one hell of an impression! I won’t go into detail, don’t wanna be the spoiler, but you’ll know what I mean. In a way, she’s the polar opposite of Ms. Fox’s past character. Fox was brunette, “Carly” is blonde. Fox was kinda skanky, the new one is sophisticated and refined. And, to top it off, she’s got a killer British accent…..I’m sold! Ms. Huntington-Whiteley? Yes, have some!


Another pleasant casting surprise were the guest appearances by John Malkovich and Ken Jeong. Neither one played a big role, but both characters added a nice twist. I especially enjoyed Jeong, where he busted out some of the in-your-face, comedic antics you’ve seen from previous characters he’s played in other films. He even used a Pink Floyd reference in trying to pass information to LeBouf’s character, it was classic!

Lastly, I’ll touch on the 3D factor. This was only the second time I’d seen a RealD 3D film. My first was “Avatar”, in which I thought the effects were amazing! Thank goodness because that was the only thing that movie had going for it. But I digress. A friend of mine who’s quite the movie buff gave me an extensive lecture about the 3D money grab. In summary, unless the movie was actually filmed for 3D, you’re just getting ripped off with some half ass added effects. I must say, I’m very glad I saw Transformers 3 in 3D! If this wasn’t indeed filmed for 3D, a great amount of time and attention to detail was invested into the effects. I’m sure 2D looks good too, but I was very much blown away by the detail. I was skeptical because there is usually so much action, especially when the bots are transforming, if it would get muddled and wouldn’t turn out very clear? There were a couple moments where there might have been a little too much going on, but overall, I thought they did a fantastic job between the main figures in the scenes, environments, debris flying around, everything. Several times, after an explosion or when a fire was raging, ashes would fly about, and it seemed like it was right in front of me.

Earlier today, I happened to see a headline “Transformers 3 tops $400 million worldwide”. Pretty damn good numbers! Under the article, people were commenting and upon reading them I couldn’t help but laugh. You had the hardcore uber nerds bitching about it because it wasn’t 100% accurate to what they think it should be. There were the pent up, undersexed teenagers who were furious and refused to see it because Megan Fox wasn’t in it. I’m sure they’re masturbating to “Jennifer’s Body” as I type. Give it up fellas! Anyone who marries Brian Austin Green of ’90′s Beverly Hills 90210 fame is gonna lose hot points anyway. Lastly, there were the typical movie critic buffs complaining because the story didn’t offer anything moving, was predictable, and isn’t Oscar nomination worthy. The only thing I can say to all of them is: “Shut up!” Unless you’ve been living in a cave for the last five years, you have somewhat of an idea of what to expect when you’re in line and purchase a ticket for a Michael Bay Transformers movie. Was it perfect? No. I felt there were some things they could have done better, some parts they could have expanded and elaborated on. But overall, I felt it was a worthwhile mix of a good story, solid acting by a cast we’ve gotten familiar with and know what to expect, coupled with well done effects and the 3D version being the cherry on top. It all comes together for a very worthwhile theater experience!

I was debating on going with either numbers or a letter grade scale? I felt numbers can be somewhat vague and a greater number of people can more easily relate to the classic letter scale from school.
That said, I give “Transformers 3: Dark of the Moon” 3D a solid: B+
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Looks very interesting, I think it may be the best MI yet?…



There are very few things Hollywood does right these days, and making movies is not one of them. Green Lantern is the rule, rather than the exception. Nevermind the fact that with the exception of The Dark Knight, Hollywood could not produce a comic hero or video game movie if their lives depended on it. Hollywood is all about producing movies that push their agendas these days. Gone are the days of honest story-telling, with compassionate and sympathetic, believable characters. Noticeably, about halfway through the movie, the script takes a pop shot at conservatives, and those evil Republicans. You may have missed it. However, it is still there. The vast majority of Americans are sick and tired of paying hard-earned money to have their ideals and principles bashed by some idiot behind the camera, pushing an agenda. Evidence of this? The decline of box office profits. Need I say more? Thus, we begin the story of Green Lantern. It is a story you have witnessed a thousand times before. As with all comic book hero movies, this one starts out with a little narrated back story. Billions of years before the Earth was formed, a group of immortals known as “The Guardians” harness the power of will. Hence, willpower is green for some odd reason. Who knows, maybe The Green Lantern’s original creator blew his nose while writing the original comic…? Moving on… The Guardians divide the universe up into thirty-six hundred sectors and create The Green Lantern force to protect these sectors. One Lantern per sector; here’s where the originality stops, and the clichés kick in. Every plot has to have a good guy vs. bad guy thing going on, which in this particular case is as old as the Pharaohs of Egypt. Thousands of years ago (You know, way back in the day?), a mighty Green Lantern by the name of Abin Sur, defeats the apex of evil known as Parallax. Which is nothing more than a big blob of gooey fear (literally). Original, I know. Abin Sur locks away fear in the “The Lost Sector”. Original, yet again. Then, one day a group of travelers crash-land in this “Lost Sector”. The travelers call for help, then start to explore their surroundings. While walking, the ground magically falls out from underneath them and presto – there’s fear (better known as Parallax) waiting for them. He sucks the life out of these three beings, and presto again – he’s free. Enter stage right, Abu Sir. Of course, Parallax is going around destroying worlds with fear like all good villains do. Abin Sur must find out what is destroying all of the worlds, so he flies through space in this pretty cool craft. If you guess what happens next, I’ll give you a cookie. Yep, you guessed right. Parallax tracks down the ring that imprisoned him and attacks. Abin Sur fights fear for about two seconds and then runs away. Like any good hero would do. However, in this brief exchange, he is mortally wounded. The injury makes him flee to the nearest inhabited planet. If you guess the planet, then you earn a doughnut this time. Enter stage left, our cliché hero aka Hal Jordan. You first meet Jordan as he is scrambling out of bed with some insanely hot woman he does not know. He’s late for a test flight, of course. He arrives and gets the usual pep talk about responsibility, blah, blah, blah. From this point on, we find out he’s the best pilot in the world. But, as with all pilots, he has daddy issues. Think “Hot Shots” with Charlie Sheen. You will have the basics of his daddy issues covered. Well, Abin Sur crash-lands on Earth, tells the ring to choose wisely and *BAM* the ring is off in a big ball of green joy. Guess who it finds for today’s daily double…? The green ball of joy finds Hal and flies him back to the mortally wounded Abin Sur, who rightfully recites the oath, and then dies. Long story short, Hal Jordan magically repeats the oath and *WHOOSH* away he goes to the planet Oa, home of all Green Lanterns and The Guardians. Once there, it’s like The Karate Kid meets The Highlander. He’s taught the basics of using the power of will. Of course, this is taught by some big-ass, mean instructor who thumps the hell out of him. Then, he is introduced to the head Green Lantern known as Sinestro. Who, of course, was once Abin Sur’s student and hates Hal, and humans. Sinestro thumps Hal all over the place. Hal, feeling sorry for himself, whines and goes home. In the meantime, you find out where fear comes from. Parallax was once a Guardian who tried to harness the power of fear. Guess what happened? Yep, he failed and consequently turned evil. At this point, did I mention that most of this movie is CGI? Well, it is. So much for acting anymore. Onward… Hal returns to Earth where he mopes and whines for a bit. However, this is short-lived. You see, when he left Abin Sur’s body there on the beach at the site of the crash-landing, of course the government’s men in black came to get the body. Well, they take it to a super secret facility (insert unoriginal Area 51 joke here) so they can poke and prod the remains. They call none other than Hector Hammonds to this facility to secretly autopsy the body. In the course of this, he becomes infected with fear aka Parallax’s little offsprings, transforming him into the bad guy. So while Hal is off trying to self-guru his issues, Hammond grows more powerful. With a giant head, might I add. And OF COURSE is in love with the same woman as Hal. From there, it’s pretty much what you would expect - good guy vs. bad guy, both of which love the same girl, and now must fight it out. Good guy must come to terms with fear, along with a self-sacrificing act of love. In the end, Hammond is destroyed by Parallax for failing. It’s now up to Hal to save the world. He returns to Oa, speaks to the guardians and gives his best JFK-type speech on “fearing fear”. Then he doubles back to Earth to fight fear, who by now is attacking the planet, of course. Hal puts aside his fear and battles Parallax. Finally destroying him by use of the sun. Right before all of this, The Guardians commission a yellow ring of fear with the thinking “to fight fear you need fear…”. Well, good ol’ Hal’s JFK speech works and they do not use the ring. However, Sinestro is left with it. He does what any good super hero would do. He puts on the ring and *WHAM* – instant sequel.
Long story short, Green Lantern was unoriginal and boring. I love Ryan Reynolds, well when he’s not buried in a box during the whole movie. But choosing him to play the lead role was stupid. The Green Lantern has always been a serious character, and Reynolds just cannot do it. However, he was not aided at all by the idiotic script and grossly overused CGI. In the end, really, you’ve seen this movie a thousand times….


With Hollywierd big on remakes these days, (Since they lack talent to come up with new stuff) this was inevitable. I actually heard about this about a year ago, and was skeptical. I just watched this trailer and my initial reaction was to throw up in my mouth. I leave it up to you to decide….

This movie looks like a good old fashioned throw back to the 50′s style Sci Fi films. The trailers up until now have been mum on the creature let loose when the train crashes. Now that has changed, we get a glimpse of the creature on this leaked video that has gone viral all over the internet..

First up is The Smurfs, BMJ has been anticipating this one for over a year. Maybe now I can stop hearing about it?..
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Next up in the spirit of Piranha 3D & Jaws comes Shark Night….
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If you took Paranormal Activity and crossed it with Ghost Hunters, you would have Grave Encounters. Looks interesting and might worth a see…
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I cannot find an official release date for The Rift, but it does look interesting…
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Apollo 18 looks like its going to be a good movie…
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Jacob in his first non Twilight film, looks interesting..
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And updated version of the 3 Musketeers, looks very promising…
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Anonymous, did William Shakespeare really write all those plays?..
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I know this is entertainment, but please shoot me now…. I predict Jacob interrupts the wedding, and Edward comes to the realization his emo overly melodramatic ass is gay.. Thoughts?…

YES!! Could we finally be so lucky?…


The year was 1975. I was a year old. And, from the stories my parents told, I used to sit on my great grandpa Gauthier’s lap and watch wrestling with him. He would curse at the television when a “heel” got the best of a “babyface”. Granted, those times were a lot different from the professional wrestling you see nowadays. It’s a billion-dollar business now. Back then, nobody cut their foreheads with a tiny shard of a razor blade tucked into a wristband or tights. They bloodied each other by digging into each others’ skin by biting or clawing. There were no movie deals, record deals, or television deals with the wrestlers of old. They hardly got paid jack shit. Popularity soared in the ’80s with the first Wrestlemania, and it grew from there. I admit. That’s when I actually got hooked. I’ve been a nonstop fan since. The below 20 (plus an added “Honorable Mention” section) are MY personal favorites of all time and not by popularity either.

#20-Bam Bam Bigelow

“The Beast from the East” is what I remember him as. He was the absolute most agile monster of a man anybody had seen. He was known hugely for the flame tattoo on his head. One would never mistake who that man was. Scott Charles Bigelow died on January 19, 2007 (45 years old) from a suspected drug overdose. Rest in peace big man. (Twenty-one year career)

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#19-Ron Simmons (Faarooq)

“Damn!” In later years, his use of the word won him more fans than ever. He was the first African American WCW World Heavyweight Champion, held several tag team championships in both major organizations, and retired last year, 3 months before his 51st birthday. He makes cameo appearances to bring out the “Damn!” once in a while. He has always been impressive. (Twenty-four year career)

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#18-Vader

“It’s Vader time!” Anytime I heard that before his music would start, I got pumped. If the crowd was booing, I was smiling. The guy was always a force and you could for sure expect something dastardly coming. With several heavyweight championships in his career, he retired in 2006. Leon Allen White has a boy in training and is signed to WWE already. Lookout. It’s Vader Junior time! (Twenty-one year career)

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#17-Lex Luger

“The Total Package” Lex Luger had a physique, hence “The Total Package”. I remember the first time I saw him. Did not like his look or his attitude. Then, he put his opponent in his finisher, The Human Torture Rack. Holy shit. I kept an eye on him for years, even when he showed up in WWE as The Narcissist. Lawrence Wendell Pfohl suffered a spinal stroke in 2007. As of 2010, he is able to walk comfortably and even drive some. (Twenty-one year career)

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#16-The Great Muta

Known as a “heel”, people may remember him as spitting green or red mist into the eyes of his opponents to gain the upper hand. He is the best wrestler to ever come out of Japan. I remember all the different ways his face was painted each week. Always awesome to watch, I could never take my eyes away from the t.v. One never knew what he would do next, and how fast he would do it. He held several championships throughout the old NWA (National Wrestling Alliance) days and early WCW and is huge in Japan. He’s still going at it. (Twenty-seven years and counting)

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#15-Brian Pillman

“Flyin” Brian. His aerial maneuvers and quickness earned him a helluva reputation early on. He teamed with “Stunning” Steve Austin (Hollywood Blonds), and the two became friends outside of the ring. He was a “face”, then a “heel”, then a “face”. Doesn’t matter. The guy rocked the ring every time he stepped through the ropes. Brian William Pillman died in 1997, at 35 years old, from a heart condition that nobody knew about. His step-daughter, Alexis, was just starting her career, when an auto accident took her life at 26. (Eleven year career)

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#14-The British Bulldog

Anybody ever associated with the Hart family has got to be good. The dude had one of the biggest torsos I’ve ever seen. Once part of a great tag team, he turned to singles competition years later. Always a dominant force in the ring, he won numerous championships to add to all his other accolades. David Smith died of a heart attack in 2002 at the age of 39. (Twenty-four year career)

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#13-”Macho Man” Randy Savage

“Ohhhh, yeahhhh” If you ever let the bright and colorful clothing fool you, well, you’re a fool. He was ONE of the best heavyweight champions in history. He started as a “heel”. He became a fan-favorite and pretty much stayed there throughout the rest of his tenure in the WWF/WWE. You think I wouldn’t mention Miss Elizabeth. She was a stunner and was by his side for years. Randall Mario Poffo has made several appearances in movies, including the first Spider Man. Drop that elbow Macho Man! (Thirty-two year career)

(Edit: Randall Mario Poffo (AKA-Macho Man Randy Savage) suffered a heart attack while driving, veered off the road, and ran into a tree. It is said the impact to the tree is what caused his death and not the heart attack. His wife, Lynn, was in the passenger seat and suffered minor injuries. He was 58. I am truly saddened by this event and wish and pray for strength for his family and friends at this time. You are missed already Macho Man. Rest in peace. November 15, 1952-May 20, 2011)

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#12-”Nature Boy” Ric Flair

“Woooooooooo!” This man needs no introduction. The absolute most flamboyant, shit-talking, loud mouth son of a gun to ever grace a ring. “To be the man, you gotta beat the man.” His disputed 16 or 21 heavyweight championships is second to none. His antics (even as a “face”) kept him popular throughout his career. Some dumbass kid let me put a Figure Four Leg Lock on him when I was a teenager. I guess it really does hurt. Richard Morgan Fliehr is a machine and is still drawing crowds. (Thirty-nine years and counting)

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#11-Randy Orton

“The Apex Predator” He is a 3rd generation superstar, his dad being “Cowboy” Bob Orton and grandfather being Bob Orton, Sr. He came in like a bat out of hell, and has been raising such hell since. He’s been a “face”, then a “heel” for some time, and now that has come back around in such a way that the fans cheer him again, even with his now infamous “head punt.” His RKO can be hit anytime and his championships prove it. Randal Keith Orton will be in this many years to come. (Eleven years and counting)

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#10-Jake “The Snake” Roberts

He didn’t have the best physique or attitude. Maybe that’s why he was a favorite of mine growing up. I got to see him live here in my hometown quite some time ago. Of course he had Damien. The man invented the DDT by accident and used it to finish off opponents, whereas now, the DDT is used so often that I feel people forget it used to be a finisher. Whatever, I remember. He retired in January this year, no doubt intimidating all up until that point. (Thirty-six year career)

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#9-Andre the Giant

“The Eighth Wonder of the World” He garnered huge praise in “The Princess Bride”, but I know him as the single most dominant force in wrestling history. His “size” feuds with the likes of Big John Studd and King Kong Bundy were nothing compared to his feud with the “Immortal” Hulk Hogan. The best match in history came in Wrestlemania 3 between these two. Andre’s health was depleting, yet he did not officially retire until 1992. He was the first inductee ever into the Hall of Fame. Andre Rene Roussimoff died of congestive heart failure in 1993. (Twenty-nine year career)

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#8-Goldberg

“Who’s next?” NOBODY has ever made an impact into this form of entertainment as much as this machine. The spear and Jackhammer were not the only calling cards, but also the haunting music and the intensity that arose from him. From WCW to WWE, he laid to waste all that would challenge him. If he lost to one, he’d come back and beat them, decidedly. William Scott Goldberg got into the Hollywood stuff, and retired from the ring. (Seven year career)

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#7-Mick Foley/Mankind/Cactus Jack/Dude Love

“Bang! Bang!” From the moment I saw him as Cactus Jack, I was hooked. Claiming to be from Truth or Consequences, NM (for fuck’s sake, why?), he burst onto the scene as an all-or-nothing competitor. The matches he was in were brutal, and people ate it up, including me. An actual softy-at-heart, I watched in awe as he got “thrown” from the top of a Hell in the Cell cage onto an announce table. Broken and battered, I then watched him climb back up to the top of the cage where Undertaker was standing and take a chokeslam THROUGH the roof of the cage, causing him and Undertaker to crash to the mat. That was NOT supposed to happen. More craziness ensued, but he became a plain badass in my book. Oh, and he’s a New York Times bestselling author. Michael Francis Foley, Sr. is still wrestling, but I think the main insanity has subsided with age. (Twenty-eight years and counting)

 

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#6-The Rock

“If you smeeeeeeell what The Rock…is…cookin” Say what the hell you will. Dwayne “The Rock” Johnson is in the elite of the most popular and best superstars of all time. He comes from a great lineage of professional wrestlers. His grandfather was “High Chief” Peter Maivia, and his dad was Rocky Johnson (half of one of my favorite tag teams of all time). He really started making a name for himself as a “heel” in The Nation of Domination faction. He won many championships in his time. Then, he hit the big screen. His movies do very well, mostly in his action flicks. He just recently returned to the ring just before this year’s Wrestlemania, and as usual, made a helluva statement. Absolutely the best ever on the mic. Dwayne Douglas Johnson, or The Brahma Bull, has many years left, and I love it anytime he shows back up. (Fifteen years and counting)

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#5-Bret “Hitman” Hart

“The best there is, the best there was, and the best there ever will be” That wasn’t just a statement, that was fact. Touted as the best technical wrestler and storyline teller of all time. Bret was exciting as hell to watch as a kid/teenager. Every time he stepped through the ropes, you could count on his mat skills to win out. There was a reason he was also called “The Excellence of Execution”. He executed his moves precisely as needed. Training put to good use by his father, Stu Hart. The very best in the industry has faced Bret Hart and have been beaten by Bret Hart. There is nothing his man hasn’t done. Age has taken its toll on him, but his last appearance caused me to get that old excitement in my chest. Very cool feeling. (Twenty-two year career)

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#4-Ultimate Warrior

Yes, he beat the “Immortal One”. His feud with “Ravishing” Rick Rude was one of the best in history. His intensity knew no bounds. The Ultimate Warrior is one of the most memorable ever to come through the ropes. He did not have the most championship wins and was one of the least favorite of most critics, but I didn’t care. I knew I would enjoy any ring time he had. I even bought the very first issue of his comic book. James Brian Hellwig made an appearance as early as 2008 but officially retired in 1999. He is now a public speaker across the U.S. (Fourteen year career)

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#3-HHH

“The King of Kings” HHH made a name for himself early on with his moniker, Hunter Hearst Helmsley. I hated him. He went from “heel” to “face” to “heel” to “face”. I think he wanted to stay a “heel”, but the fans just would not let him. Neither would I. Part creator of the factions DX and Evolution, his popularity soared and so did my respect of what he did in the ring. Almost every move he does, whether it be the simple “punches”, seemed to make an impact. I remember the edition of Raw where he tore his left quad muscle clear off the bone. I saw it happen and could see it as he was helped up the ramp. Yet, in true ring-style, he did finish the match he was in. He had a storyline of marrying Vince’s daughter, which of course, is a real-life storyline. They have 3 daughters together. He made his most recent appearance at this year’s Wrestlemania in trying to end the Undertaker’s undefeated streak at the event. He was unsuccessful. Paul Michael Levesque still brings the fans to their feet every time his music hits, which is my second favorite entrance music of all time. (Nineteen years and counting)

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#2-Undertaker

“The Phenom” I remember watching him in the old WCW/NWA days as “Mean” Mark Callous. When he went off to the WWF/WWE, I knew who he was the first time I saw him take his hat off. I was impressed from the get-go. The Tombstone Piledriver. The Chokeslam. I had really never seen these things. Awesome. He has the record for the most wins in Wrestlemania history. He has been a part of 19 of them and has won his match in each. Love that shit. What other wrestler in history could be touted from Death Valley? None. His feuds with his half-brother, Kane, Stone Cold, The Rock, HHH, Shawn Michaels. He has slain and been beaten by all, but make no mistake, he still has what it takes. Recently, defeating HHH at this year’s Wrestlemania, and being taken out on a stretcher himself. One can hardly see any slow in this man’s step. Mark William Calaway is currently married to wrestler Michelle McCool and has a son and two daughters from previous marriages. (Twenty-seven years and counting)

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#1-”Stone Cold” Steve Austin

“Austin 3:16 says I just whooped your ass!” Who the fuck else would be my personal numero uno? Nobody. He ushered in the Attitude Era with the above catchphrase, and his popularity blew up the television. People were not sure what to think of this man at first, so they booed. All saw what he was doing, then they cheered for years. He tried to become a “heel”, and that didn’t work. He has some of the best t-shirt phrases and catch phrases of all time. “Fuck Fear, Drink Beer”, “Austin 3:16″, “What?”, “That’s the bottom line ’cause Stone Cold said so”, “Arrive. Raise Hell. Leave”, and “Oh Hell Yeah!” are just a few of these infamous lines and shirts. Those that beat him in the ring could only do so by “cheating”. Those that got beat by him, felt the Stone Cold Stunner. I remember a stunner he did on Vince once. I thought he broke his damn neck. He has lived in pain for many years, from a bone spur in his neck that eventually required major surgery, to the knee braces he has worn for the majority of his career as “Stone Cold”, he has fought whole-heartedly to keep his fans happy. My favorite Stone Cold Stunner of all time? When he stunned Goldberg. I had been waiting for that for years. I think everybody in wrestling nowadays has been on the receiving end of his finisher, truly, as you’ll see in the below video. He is in the WWE Hall of Fame for a reason. Steven James Anderson still makes appearances, raises Hell, and leaves. When that glass breaks before his music hits (my favorite entrance of all time), people are on their feet instantly. It’s an awesome sight to see. (Twenty-two year career)

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HONORABLE MENTIONS AND IN NO PARTICULAR ORDER:

Hulk Hogan, Rikishi, George “The Animal” Steele, Ricky “The Dragon” Steamboat, Sting, Shawn Michaels, Sid Vicious, Eddie Guerrero, Kane, and Tazz

Thanks for reading y’all. Comments are much appreciated.

SO I am not all that much of a fan,(You’re reading and watching a kids book) but I do however understand the anticipation and lore of the series. With that said, here is the new trailer for “Deathly Hollows Part 2″. Who knows I might just go see the movie just for the satisfaction of watching Harry die…….