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When I heard that Yvonne had picked this band up to add to her repertoire, it was a surprising and quite refreshing bit of news that I embraced wholeheartedly. Chalk up another smart move. She then asked me to write up a review for this band’s 5 track EP, “Who Can I Trust”. The rap/rock style of music has had a huge number of fans throughout the years, and it is not too often that we get to partake in listening experiences of unsigned bands in this genre, being there are so many, and pick out a select few that we really like jamming to. The Chimpz are the exception. They are not just “another band trying to cash in on the genre.” They have a truly defining sound that separates them from most in that their focus is on the music as a whole, not zeroing in on just the rap part of it, not zeroing in on just the rock part of it, but giving each different sound life by mixing it together and delivering it all with fair and unabashed passion.

If you have not heard of The Chimpz yet, let me give you a small crash course. They are based out of L.A., have had songs on shows such as Bam’s Unholy Union (every episode), Bam’s movie “Where the Fuck is Santa”, and an episode of Sons of Anarchy (season 3, first episode). They have three records out – “Home Invasion” (7 tracks), “On Parole” (13 tracks), and the most recent, an EP named “Who Can I Trust” (5 tracks and the meat of this review). They have several notable sponsors including Anarchy Eyewear, Outlaw Threadz, Sabian Cymbals, Schecter Guitars, and the almost medicinal Jagermeister. And, have shared the stage with national acts such as Disturbed, Avenged Sevenfold, Hellyeah, and Halestorm on the Rockstar Uproar Festival in 2010. The 5-piece band consists of the musical maestro Artimus Prime on lead vocals and rhythm guitar, Chuck P rapping his ass off as MC (and coming from my current state of residence for the past 29 years – New Mexico), Scary Cary jamming great riffs into us all as lead guitarist, Sonic and his talent bring his bass playing and an integral part of the whole sound, and Sean Topham (who has his own accolades – All Access Magazine’s Best Drummer in 2007 and his own company named Topham Drums) who is quite obviously their drummer. From everything I found on The Chimpz, this is the same lineup that started in the beginning  (with the addition of Chuck P. in 2005). That is impressive, as is the music.

‘Victim’ kicks off the EP and showcases the instrument wielders immediately – an eerie lead speed guitar solo riff by Cary backed by Topham and his double bass skills. Sonic is quite impressive in this song in keeping the bass flowing so well. We get to hear Artimus at about 0:19 when only his voice, the bass, and some cymbal work are going. Toward the end of the verse, the other instruments and sounds slowly come into the song. MC Chuck P brings his skill on the mic in at about 1:51 and flows it right into the whole rhythm of the track. ‘Corrupt’ starts out with a very good hard rock guitar riff from Cary. The drums and bass kick in, and it’s on. Awesome introduction before Prime’s unique voice carries us into this obvious southern rock influenced jam. The band gives a killer performance with the backup vocals to ‘Corrupt’ and Chuck P’s rapping intermixing with everything. 1:46 sees Scary Cary sweetening up the tune with a badass solo.

The next song is called ‘Killing Me’. It is quite a bit more toned down until the chorus kicks in. The bass playing by Sonic is definitely in the forefront of the instruments during this track, especially when Prime is laying it down. Again, great backup vocalization and an awesome solo. Another flowing rap by Chuck P comes in at about the 3\4 mark. Because of the ease of the song, his rap gave me chills. The title track, ‘Who Can I Trust’, comes in the fourth spot of the EP. Some funky synth work at the beginning of this one along with some cool cymbal work by Topham. Prime shows some of his rapping skills in the beginning before breaking into an unexpected growling scream. Blew me away. After the chorus, Chuck P knocks out the second verse. Listen for Sonic’s bass playing throughout the song. It is amazing. My favorite on the album. ‘Mr. 44′ is the final track. This song starts out much like the first two tracks in that the instrument usage is speedy, in your face, and lets you know these guys mean business. It is a very high octane song with every aspect of this band, and what they are about, coming at you – including Chuck P bringing the first verse hard. A fully complete track.

What I really love about “Who Can I Trust” is everything I spoke of in the first paragraph of this article, plus the fact each song gives us a truly skillful lead guitar solo (rare in this day and age), and that each instrument – vocalists included – are so prominent throughout the whole record. Sometimes things get lost in the mix, but they do not with The Chimpz. The band knows their sound. They know exactly how to bring every element of their sound into the listeners’ ears. The Chimpz Nation is growing, folks, and I suggest becoming a part of it.

(Update: I stand corrected in the statement where I mentioned the lineup being the same as in the beginning. This is NOT the complete, original The Chimpz lineup, but it is the same group of guys that recorded this EP. I apologize for this mistake)

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The Chimpz – Mr. 44

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(The Chimpz will shortly be releasing a new video for the title track)

From a well-received band review/introduction, and now reviewing their debut album, I am honored to have Exploding Horse as my “test subjects” for my first Carolinas death metal album review. Thanks dudes. Now, onto way more important things, as in giving the readers my interpretation (as a fan) of a truly raw and destructive album from another great band out of North Carolina. They were once called Zeus but have since decided to go way more metal with the name Exploding Horse. As long as they change NOTHING but the name, that is fine by me. These eleven songs are all explosions of sorts put together on a deathly straightforward and bone-crushing journey into their minds – and our own minds alike.

Like a double-strength Red Bull to your ears, Exploding Horse and their debut album, “The Great Mechanical Pig”, awaken you violently with its powerful ability to make you NOT want to stay seated. The album was made two years ago at Basement Recordings with Jamie King at the helm. Due to financial woes, it was not released until January this year…finally. I believe I described previously about Brennon Campbell having “a mutant throat made of iron.” I stick to that after hearing this album. Sam Fleming and Adam Lane grind out the destructive guitars, Karlon Grant plays bass, and Ricky Culp beats out the powerful drums in each tune.

‘Blonde Moustache’ and its introduction consist solely of the sound of a beer being cracked open before the band breaks in with its aggression. Out of the gate, the listener gets to feel the strength of the band in all aspects. At about 2:02, they kill all the instruments except for the bass for a couple quick pieces of solo work. The intensity is also signified in ‘Turbo Tommy’ with no introduction, just the band hitting everything right off the bat into a chaotic blend of instrumental speed and sound. 0:47 in and the rhythm of the song takes an awesomely dangerous-sounding turn. The guitar riff changes and Campbell’s vocalization goes deep into an impressive gutteral tear, then chaos again ensues less than a minute later. We get a lot of different sounds from each instrument throughout the song that really does showcase what each member thrashes best at, especially at about 3:31 when all voices are focused together. Very killer tracks.

‘Queen of the Parasites’ starts with a very quick intro into how hard the song will smack you in the face. There are some very badass parts where some speedy lead guitar solo work synchronize with Campbell’s voice in a somewhat melodic death dance. It’s awesome. Possibly the hardest and fastest track on the entire album, ‘C.A.C.’ (see below video) is the new name of the track stemming from its last name…Exploding Horse. With the ferocity of the song, either name works tremendously. This brings me to ‘Decomposition’ and its acoustic start. So very different than what you get with the first four songs, this introduction is a cool, fresh design that, at 1:29, brings the listener right back into their signature sound. Awesome unexpectedness. Throughout the track, a double shot of raging vocals are heard with a classic deep growl mixed under a terrorizing, rage-induced scream. 6:30 into the song, a very eerie and almost synth-sounding guitar comes in and tones down the speed some. Then, a beautifully played lead solo, lasting as long as several old school classics, comes in. When that is over, the speed and destruction comes back. As the longest track on this record, it is definitely my favorite.

‘Land of Manatees’ has one of the better guitar riffs, steady drumming, and killer bass playing. Keeping with the steady, rhythmic creation of the song, it takes you into how well everything this band does and how that it is done with such intensity and skill. ‘An Unspoken Remembrance’ is an all acoustic instrumental ease into the band’s chilled side. Featuring Soilwork’s longtime lead guitarist, Peter Wichers (1995-2005, 2008-now), it will give a lot of insight to the difference between what you expect and what is truth about the band. They can do it all. In its whole 2 minute length, it says tons. The title track, ‘The Great Mechanical Pig’, gives us all an immediate push back from the last song, snapping us back with a huge jolt. Another song with some killer chaotic parts, it also keeps a person headbanging throughout. The song fits the record perfectly – an intense and somewhat “mechanical” powerhouse. The final two tracks, ‘Frozen Head’ (featuring rhythm guitarist for Between the Buried and Me, Dustie Waring) and ‘Sam Kinison’s Death March’, both finish out this debut album as powerfully as the album starts, with pure aggression, intensity, and every single skill and sound the band is so good at.

The diversity in which the band delivers the music to the listener is apparent, as almost every song is a death metal lover’s dream – or nightmare – whichever works best. Eleven complete songs coming from a devastating band, who have a unique way of projecting their music to us. I dig the hell out of these guys. From hearing the record, you may think that these guys all might need some professional help in the mental department, but that would be an extremely huge falsehood. Check out the below video, and you will understand what I am talking about. They are about having fun doing what appeals to them and nobody else. Exploding Horse are as good as they sound and deserve to be noticed.

Rating: 9.5/10

5 out of 5 Metal Horns Up \m/\m/\m/\m/\m/

Exploding Horse – “C.A.C.”

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Those that know me on a personal level know that movies aren’t really my cup of tea. I find a lot of Hollywood movies to be unoriginal with plot development and creativity in storyline development. I much prefer going to a concert, musical, or play as opposed to go to a movie. In essence, due to my short attention span, and due to myself having difficulty just sitting down and watching a movie, I have the tendency to get bored quite easily with a particular movie. This past Friday, after work, I was invited by a friend to go see “Act of Valor” which primarily consists of active Navy Seal members as the cast of this particular movie.

I was also intrigued by the various reviews I’ve read and I figured, it’s something original, therefore, I’m going to give it a shot. In essence, the plot of this movie is a group of Navy Seals attempting to stop a Jihadi-terrorism plot that occurs in the Mexicali area of Baja California and the northwest part of Mexico. This group of Navy Seals leave everything behind in an effort to prevent this catastrophic terrorist plot that would collapse the world economy and I quote “make 9/11 look like a walk in the park”.

Regular movie critics will complain about the acting in this movie. Keep in mind, my readers, these active Navy Seal members are not professional actors, they are Navy Seals. However, due to the intensity in certain scenes that had actual live-action fire rounds going off, what these brave men have probably went through brought a real sense of authenticity to the various scenes. Because of this authenticity in the imagery, it caused the average movie attendee to be on the edge of their seat and attempt to develop a sense of understanding of what the men and women in the military do everyday. There are mulitple missions and exercises in this film, and the first-person shots from behind the assault weapons are original and uncanny. The attendee will definitely appreciate the funeral scene, the reading of the quote from a pilot killed during World War II, and especially reading the quote from Shawnee Chief Tecumseh.

What these Navy Seals brought is a breath of fresh-air to the dry movie spell in Hollywood lately. The scene where the two Seals walk off after talking about their latest mission is a scene that is especially memorable. It’s that complete confidence and self-control, that swagger if you will, that they are the best in the world at what they do. It’s a feeling that they have ice water in their veins in the heat of the battle, and the attendee can sense that. This is a movie that captures the imagination of what the members of the United States military goes through on a daily basis, it’s stories of triumph, paying the ultimate sacrifice, and courage. All politics aside, definitely take a night off and go see this movie.
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The boys from my home state of Michigan will be releasing a new album entitled “The Episodes” on April 10th. Below is the song that will be released as the first single and will hit the radio on April 3rd. View the hell out of it and enjoy. Rock on.

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(This is Part 6 of a series I will continue to bring you each week or two)

(I’m not going to try to debunk or confirm Urban Legends. I just want to talk about them. The whole idea of most Urban Legends are creepy and feed upon the mind. They make you wonder IF that could happen or have happened sometime. Some are ridiculous, but there are an insurmountable amount of unexplained things in the universe. I do believe anything is possible. I believe in Bigfoot, Nessie, UFOs, and ghosts. I know in my heart of hearts there are phenomena that are unexplained and those that scientists do their damnedest to explain. Science has studied and debunked many things that people still believe to be true, no matter what, and have to be hit with a sledgehammer to believe what they are told. I am one of those people. Now, as I said at the beginning, Urban Legends are just the IDEA of something being true. Our own minds play worse tricks on us than our eyes. Trust me, my mind fucks with me more than I should let it. But, you know what? I love that. It sure as hell keeps me thinking. I hope you enjoy Urban Legends: Killer in the Backseat)

The title of this particular urban legend is pretty straightforward and self-explanatory. I first heard of this story upon watching the movie some of these legends helped create. I will get to it later. For now, I want to say that for some odd reason, I have always checked my backseat (or back of the truck if that’s what I was driving at the time) for any signs of disturbing beings lurking. Call me a chickenshit, but this is something I have done since before learning of the urban legend that tries to teach us all to be aware of our surroundings at all times. I had actually heard of friends of friends of friends telling tales of a person parking their vehicle for a few moments to quickly run to an ATM, in a store, or yes, get gas, and leaving the vehicle unlocked. At the person’s time of vacating, a drunk – who had been stumbling around the parking lot – decides he or she needs to lay down on something soft, and enters the car or truck to get warm and catch a snooze. Again, an urban legend in the town I grew up in. Imagine how scary it would be to be driving down the road and you hear a snore, or feel movement, or somebody sits up abruptly right into your line of vision in the rear-view mirror? The likelihood of your chances of an accident increase tenfold, let alone the half heart attack one might have, as said person sitting up decided to blow chunks all over your windshield. Do I lock my doors any more often because of this? Not anymore. Do I check my back seat because of this? Not AS much. I am more confident in my abilities to do what it takes to protect myself and my family. But, the idea of it still lurks – still lurks like a possible escaped murderer waiting for that right time to take advantage of a man who might be just a little bit too comfortable in his abilities…

The aforementioned movie I spoke of is called “Urban Legend”. It was made in 1998, and the first scene of the movie was created based on this “legend” to start the audience in thinking of the worst scenarios that were laid out throughout the film. In the film, an actress, who obviously auditioned for the movie and was chosen to die first, is at a gas station filling up. The creepy, little, stuttering gas station attendant notices something and tries to lure the girl into the office saying there is a problem with her credit card. She immediately and mistakenly looks at him as the one wanting to do harm and leaves the gas station in a rush with the attendant chasing after her yelling, “There is someone in the back seat!!!” The character gets an axe to the head. So sad. This small twist on the original legend is a good one. In the actual story, the attendant and the girl call the police, who show up and arrest a man who had escaped the loony bin and/or prison. Upon studying the variations on the Killer in the Backseat urban legend, an interesting one came up that really did not give a whole lot of details. It just mentioned that a woman stops when she sees a doll on the side of a road in the moors (obviously a British twist), stops, and the killer jumps in the back at that time. I guess staying away from the moors and on the roads doesn’t always work, especially if the roads are in the moors. I suppose the most plausible version is that of being followed all the way home by a mysterious car, whose driver tends to keep flashing the brights. After a night out with the girls, a woman is driving down the lonely, two-lane highway toward home. As she tops a hill, a set of headlight start to shine from around the corner she just took a few minutes earlier. She is cruising along, when the headlights are a lot closer. A minute later, and the car is upon her. She sits up in her chair, tightens her grip on the steering wheel, and looks in her side mirror, only to see a blinker and the vehicle getting into the other lane. It starts rolling up on her quarter panel, then slams on its brakes and is immediately back behind her. The brights come on, and the car inches closer – at times lightly bumping her. Sometimes the dims come back on, then the brights again. She speeds up, slows down, but the car is always attached to her like a spider’s web that one cannot quite get rid of. She tears ass into her driveway, throws it into park, and practically flies out of her vehicle. As she is running into the house, a man gets out of his vehicle and yells, “Call the police now! Lock your doors!” Upon arrival of the police, the lady emerges from her house only to find out that the man in the vehicle following her was trying to warn her. As he went to pass her on the highway, he had seen a man in the backseat with a butcher knife raising it, so he merged as quickly as possibly behind her and flashed his lights, which made the murderer/rapist in the backseat duck time and time again. Small variations have been brought in, such as a husband that emerges from the house and that it is not always a butcher knife as the weapon.

Many have said that this is actually one of the most sexist and racially negative urban legends ever. The person in trouble is ALWAYS a woman, the killer or rapist is ALWAYS a man, and the person trying to warn the woman is always a man. Why does sex or race even fucking matter here? It doesn’t. I could give a royal shit if it is a man or woman hiding out in my backseat; I don’t care what race of person is there either. If a person aims to kill me while I’m driving, it is always going to be the intent of that person that scares me most, not what they look like. That’s it. I’m checking my backseat all the time again. He or she will have to kill me out in the damn open.

(An Urban Legend plays with the mind and makes one wonder. Hope you enjoyed reading “Killer in the Backseat” as much as I enjoyed writing it. In my last Urban Legends article, I saved this particular section for a little rant at how feasible that particular urban is in the world today. Well, I guess I need to repeat the fact that any of these scenarios in this story are probably twice as much as likely to happen than anything else otherwise. Think about it. How easy would it be to scare the hell out of a person driving alone down a deserted highway? Have there really been no reports of ANYTHING like this happening? I believe in the first question, not so much in the second one. The likelihood of this one coming to fruition scares the hell right out of me. I guess that could be a good thing, but I do not want to find out. So, I’m locking my doors and will be keeping an eye on the backseat from now on. How ’bout you? If you’re not, and I find out…)

 Please check out the other stories in this series by typing  Urban Legends in the search bar on the homepage. THANKS!!!


The Grammy awards is upon us. It’ll be exciting to see the Foo Fighters and the Beach Boys reunite to perform on the Grammys. The Grammy awards have offered some legendary moments such as:
1. Jethro Tull beating out Metallica for “Best Metal Album”. That caused WWE wrestler Booker T to react in this fashion:
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2. Elton John performing with Eminem during the Grammys, after gay rights activist groups condemned Eminem for freely using the word that rhymes with maggot.
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3. Now, for my all time favorite Grammy moment. This needs no introduction.
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Now, to cue Mike and Mike on ESPN, here are my ten “stone cold lead pipe locks” for the Grammys.
1. British songstress Adele is going to get the hat trick for winning the Album of the Year with her album entitled “21″, “Pop Song of the Year” with “Rolling In The Deep”, and “Record of the Year” for “Rolling In The Deep”. Here it is in case you have been living under a rock for the past year. She will also win a total of six Grammys.
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2. Bon Iver will edge out Skrillex and Nicki Manaj and win “Best New Artist”.
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3. Skrillex will get a Grammy for Best Dance/Electronica Album for “Scary Monsters and Nice Sprites”.
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4. To keep the Grammys unpredictable, Duck Sauce will beat out Skrillex for quite possibly the most annoying song on the planet with their smash hit entitled “Barbara Streisand” for “Best Dance Recording”. Listen at your own risk. Don’t say I didn’t warn you.
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5. The Beach Boys will drive their “Little Deuce Coupe” with a lady named “Barbara Ann” and they will crash their “Little Deuce Coupe” and a lady named Rhonda will come to their rescue after hearing faint cries of “Help Me Rhonda” and Rhonda is a supermodel from California and they will dedicate “California Girls” to Rhonda during their performance.
6. The most non-Latin title album will win the Grammy for best Latin album, the title of the album is “Not So Commercial” by Los Amigos Invisibles, which I’m guessing means The Invisible Friends. The title of the album should be “El Not So Commercialio”.
7. Eddie Vedder of Pearl Jam is going to win best folk album for “Ukulele Songs”. I wonder if Tiny Tim is a guest on his record.
8. I hope that “All About Bullies Big and Small” wins “Best Children’s Album”. The Papa Hugs Band will hug the entire audience as they accept defeat in the most humbling fashion possible and it’ll be all over The Today Show and their mindless drivel the next morning. As long as Paula Deen isn’t on there, we are good.
9. Patton Oswalt will beat out “Weird Al Yankovic” for best comedy album, simply because he’s Patton Oswalt and he can. Before he was a comedian, Patton Oswalt was the frontman of Accept. Check it out.
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10. By default, the Foo Fighters will have the best performance because they are the Foo Fighters.

Hope you enjoy the Grammys on Sunday. On Monday, I will be telling America “I hate to say I told you so, but I told you so”. Thanks, I’ll be here all week, enjoy the salmon.

Let me start off by saying anybody who can project their vocals in that manner has gotta have a mutant throat made of iron. There is absolutely no doubt from me that headbangers who dig old school death metal (stuff I grew up with) – Deicide, Cannibal Corpse, Vengeance Rising, Malevolent Creation, Obituary, Death – and get into how the progression in death metal is in today’s industry, will definitely be enthralled with Exploding Horse. A 5-piece band started in 2006 and hailing from North Carolina, the band brings a devastating and destructive sound worthy of any death metal fan taking notice.

The band consists of Brennon Campbell, the man with the mutant throat. His vocals absolutely destroy some more well-known death band vocalists. His transition from the “deep within your soul” growls to the higher pitched mix of growl and scream, he is a complete talent in this style of music. Sam Fleming and Adam Lane have created some of the deepest, terrorizing, and hardest riffs I have heard in a while. The skills they possess (along with total possession of their instruments) are heard clearly in each solo, too. Ricky Culp’s intensity behind his drum set would keep most normal people at home for a few days to recover. He destroys and kicks the hell out of the bass drum, all the while keeping the snare and cymbal work just as speedy and precise as the guitarists. Former bassist for the band, Deucy Wayne, did all the work for their album and it is who you will hear in the tunes on their Facebook or Reverb pages. They have since acquired a new musician to take over those duties in the form of Karlon Grant. I am sure by how in tune the band is that this decision and direction is a good one.

Exploding Horse is not for the weak of heart, for the simple-minded, or for anybody who does not want to totally fuck their neck up, and it does not matter the reasons behind their recent name change. Do not be thrown off by some of the titles they have given their songs – Blonde Mustache, Turbo Tommy, The Great Mechanical Pig – for these names do not dive into the music deeply enough. You have to listen to each of them and feel all the passion, rage, and disturbing similarities to ourselves to truly know where these guys come from. The Carolina’s metal scene is for sure alive and well, and the music I had lost touch with for so many years has come back into my life with the exact sound that Exploding Horse brings to my mind when thinking of where the aura of death metal had gone. Much appreciation and respect for these boys. Rock on.

Facebook Page / ReverbNation

Check out Exploding Horse on January 22nd doing a little practice session. Hardcore metalheads, but goofballs otherwise.

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I  usually come to the realization that I am smarter than 60% of our population. I have done many dumb things in my life, BUT I was smart enough never to video it…. ENJOY!

Hailing from Kingwood, TX, Five Eyes Wide, like any band getting started, want to be known and heard for what they love to do, the style and skill in which they do it, and want everybody to feel the passion they convey through their instruments. As a 5-piece band, they have a complete corps of guys to cover each instrument necessary to bring the metal with every song they play. Vocalist Chris Conley has a soothing voice with a skill to turn it into a well-oiled growling machine, all to express his lyrics even more to those listening. The guy can sing. Stan West playing the lead guitar is amazing. His speed, intensity, and solo work are things to really listen to and at. Paul Montenegro compliments West’s guitar playing in a way that is more noticeable to the average listener. Where a rhythm guitarist may get somewhat lost in the music, Montenegro’s obvious ability to change tune and hit the riffs for each song so hard is very apparent. Alan O’Bar’s bass blasting can be heard and felt throughout each of their five songs. Each song, at some point, slows enough to be able to hear O’Bar’s “almost lead guitar” sounding electric bass coming through. Very talented individual. Rounding out the band in a powerful way is drummer James Lawler. From the intros to each song to the end, Lawler is a loud and hard-hitting guy with a great skill to keep a listener intrigued throughout. He can double bass with the best of them, and keeps the snare and cymbal work extremely active throughout each song and keeping in line with the guitars. Killer.

Each of the five songs they have bring a listener something different. “8MM” intros you immediately into Lawler at the drums to bring in the rest of the guitars and hits you with the metal this band is so good at. Conley shows all vocal talents throughout the song. “No Escape” and “Aftermath” bring a little slower, yet just as good, sound to the band’s character. Everything you still expect and hear with the faster songs, are incorporated into these “power ballad-esque” pieces of great musicianship. “Burn” and “Lock and Load” hit the listener hard with the intensity this band brings you from deep within. They let out their emotions in the most powerful way they can and like to do.

Many great heavy metal bands have come out of the state of Texas. I’m not here to name any of them off, but one thing people should be very aware of is that Five Eyes Wide have every sound necessary, every skill needed, and the drive to be a big name in this industry and genre. Everything is bigger in Texas, including this band’s clear cut love for their craft and art. We all would be wrong to dismiss this as just another shitty pipe dream, for Five Eyes Wide can make it and plan to do so. Five guys. Ten eyes – 5 of which stay in the now – the other 5 eyes widened to a bright future, all eyes equal to a dream that they will work on to make happen.

Visit the band at the links below:

ReverbNation / Facebook / Twitter


It’s now been about two months since I first started pairing music and booze together to help enrich our weekend enjoyment. Sometimes I find inspiration from holidays, events, special occasions, etc. that happen to fall on that particular weekend. While there’s no specific instance that meet any of those criteria occurring this weekend, something else is underway that led me to the choices I have made.
You don’t have to be a political or economic analyst to realize what’s going on these days. Granted, they try and sugar coat it as best they can, and pull the wool over our eyes, but most of us can see it. The global economy is falling. Fast! In Europe, simply look at Greece and Spain in their current state. Many more European Union countries are not far behind. In the United States, we’re spending money like it’s going out of style. Most of it we’re essentially flushing down the proverbial toilet, giving to the United Nations, bailing out companies who file for bankruptcy anyway, funding recipient programs, sending money to China (one of the few countries who actually isn’t in the red) to fight AIDS, etc. Then when we run out of money, the Federal Reserve just prints more, thus devaluing the dollar. The one dollar bill in my pants pocket is now really only worth about eighty cents. Thanks a lot assholes! The dominos have begun to fall and unfortunately none of our elected politicians or other world “leaders” have any damn common sense. We’re on our way to a global economic meltdown to which this Megadeth classic from 1992 couldn’t be a better soundtrack for!

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One of my New Years resolutions that I’ve constantly been striving to improve throughout the year, is to be more optimistic. Positive thinking and all that shit. Eight months into the year and I’ve had mixed results, although for the most part I think I’m doing a pretty good job. For instance, while all the economic crap is hitting the fan and splattering everywhere, I will continue to indulge and live the “high life”. Really that’s what life’s about, savoring and appreciating the good things. The “good things” don’t have to cost money either. Which is a huge bonus when the economy is tanked and everyone is broke! I’m talking about good friends, good family, and making a good time out of whatever is accessible to you. So in honor of living a “high life”, I’m drinking the High Life! As a cool bonus, throughout the summer Miller is running a promo to give veterans a piece of the “high life”. For every High Life bottle cap or can tab, Miller will donate ten cents toward High Life Experiences for returning vets. Money raised will go toward paying soldiers’ way into sports events, concerts, outdoor adventures and more!

So while the economy smolders, grab a High Life and rock out to Megadeth’s “Symphony of Destruction”. It’s not gonna be easy, but we shall persevere my friends!

(This is Part 5 of a series I will continue to bring you each week or two)

(I’m not going to try to debunk or confirm Urban Legends. I just want to talk about them. The whole idea of most Urban Legends are creepy and feed upon the mind. They make you wonder IF that could happen or have happened sometime. Some are ridiculous, but there are an insurmountable amount of unexplained things in the universe. I do believe anything is possible. I believe in Bigfoot, Nessie, UFOs, and ghosts. I know in my heart of hearts there are phenomena that are unexplained and those that scientists do their damnedest to explain. Science has studied and debunked many things that people still believe to be true, no matter what, and have to be hit with a sledgehammer to believe what they are told. I am one of those people. Now, as I said at the beginning, Urban Legends are just the IDEA of something being true. Our own minds play worse tricks on us than our eyes. Trust me, my mind fucks with me more than I should let it. But, you know what? I love that. It sure as hell keeps me thinking. I hope you enjoy Urban Legends: The Licked Hand or Doggy Lick)

NO PERVS! It’s not what you think…trust me. Read on. Do you remember the old “monster under the bed” routine? You would kill your bedroom light, run like the wind, and pray to make the bed in one, Superman-flying leap into – and automatically – under the covers before that feared hand snagged your calf to pull you under and into wherever and whatever cavern or dungeon said hand came from. The covers were your protection. Not your parents. Not the nightlight. Not your teddy bear. Some people would be totally consumed by the sheets and comforter (blankie) that cover them, but not me. I’d leave a smidgeon of opening so that I would be able to see the horror before it tried tearing me apart. None of that ever happened, but believe me, the monster does exist. Not the type of monster we pictured as young’uns. But, a human monster. Not necessarily in hairy, long-toothed physical form, but normally, a monster in their mind. The following Urban Legend brings all those fears as a child back to us as an adult in a very close-minded world. The monster scared me enough just picturing it and waiting for it to pounce. Not once did it ever touch me as I laid there, let alone lick me for a taste.

SERIAL KILLER ON THE LOOSE!!! A term used mainly in movies to bring the chill factor to the forefront and give the watcher certain scenarios in their mind that turn out to be much worse in actuality. This Urban Legend helps to feed on that…and then some. The story goes like this. A teenage girl’s parents go out for a night on the town, so she is left alone at home with the family pet – a dog in all cases. She has the radio going on in the background while she does her nails. An emergency bulletin comes across warning people of a serial killer being on the loose, to lock all doors and windows, and to stay in their homes. She follows instructions well. After her initial scare, she finishes what she was doing and goes to bed. With the announcement at the back of her mind, she allows Fido into her room to sleep with her. For some odd reason, he lays just under her bed. She finally falls asleep – deep under her covers – and at some point later, awakes to what seems like a dripping sound within her room. She is too afraid to get out of bed to turn on the light and cannot see anything, so she lowers her arm down to make sure Fido is still protecting her. It is confirmed in her mind and on her hand he is when she feels a lick. Only able to doze a little, and still too afraid to move, every so often she reaches down only to get another lick. Eventually, the sandman lets her sleep. Morning comes, and even though her dreams disturbed her, the teen feels surprisingly rested. Still underneath cover of her sheets and comforter, she tosses them off…only to see her beloved dog hanging by its collar, stomach slit open, blood dripping on the floor, and the words (written in the dog’s blood), “HUMANS CAN LICK, TOO”.

As with any Urban Legend, there are variations that have been made to feed off the original. Another version is a continuation of the main story with the parents being chopped up and stuffed in her closet, their blood flowing along the floor. She jumps out of bed, gets downstairs, and sees the psychopath – who then chases her, catches her, mangles her, and is left for the police to find after a quickly ended 911 call.

A similar story was concocted that lean more toward the college student audience, and the words on the wall read, “AREN’T YOU GLAD YOU DIDN’T TURN ON THE LIGHT?”

Yet another features a group of girls having a sleepover with the even larger family dog acting as guardian. The teen who is hosting the sleepover awakes to find all her friends demolished and the dog hanging in a different part of the house.

The final version I found does not take place in a house. It seems serial killers also kill outside? While camping? Crazy. After a day of hiking with his four-legged and loyal companion, night falls, and the mountaineer sets up his tent and crashes out. A bit later he wakes up to his canine licking his hand. He goes back to La-La Land. Again, he comes out of his sleep, eyes still closed, and feels an odd warmth next to him that he dismisses as his dog taking over the tent. Morning comes, and written in the snow are the words, “PEOPLE CAN LICK, TOO”. It does not always have to be a young girl, boys can get slaughtered also. Um, I think I’d rather have the hairy, long-toothed, and wretched-smelling “imaginary” monster under my bed. How about you?

(An Urban Legend plays with the mind and makes one wonder. Hope you enjoyed “The Licked Hand” or “The Doggy Lick”. I can joke and jest and give my smartass comments about anything, but this one is way more feasible to be true than anything else I have written about. That scares the shit outta me even more. There are claims this has truly happened everywhere around the world. There are sick fucks out there, so I will never doubt this Urban Legend. The way this one messes with the mind is the fact that the TRUE possibility is out there. Like I have said, I believe in a lot of different “supernatural” and unexplained things around us, but here is a warning. If you are home alone, have any form of family dog, know of a killer roaming around out there, and are afraid to actually get the fuck out of your house, leave the lights on, Red Bull the hell out of your system, find mom and dad’s gun, and for crying out loud…keep your dog in your sights)

Please check out the other stories in this series by typing  Urban Legends in the search bar on the homepage. THANKS!!!

Yesterday marked the opening of The Smurfs movie, and in 3D no less. Living in a world where everything old is eventually new again, it sometimes irritates me to see something from my childhood made, or remade, for the big screen. Only because there have been instances where the remakes are put together in such a way that they lose the essence of what made them so appealing in the first place. I watched a lengthy preview and behind-the-scenes commentary for The Smurfs movie and I have to say I have high hopes for this one. I like that they’ve added a few new Smurfs, and obviously adapted it to more modern times; not just with the animation, but with little innuendos intermittently added here and there for the adult audience who were once the pajama-clad, cereal-eating children sitting in front of the tv on Saturday mornings singing along to the unmistakable Smurf theme song, “La la la-la la la la la-la la la….” . Which, if they were anything like my sister and I, had the volume up way too loud and subsequently irritated the living hell out of their parents forcing them to wake up to such a “chipper” (my parents actually used a more, um, “eccentric” word to describe it) song. All this reminiscing sparked the urge in me to share some interesting tid bits of information about the original Smurfs series, as well as some facts about the 2011 production, now in U.S. theaters. Sharing is caring, after all. And I can’t keep this “Smurfy” feeling all to myself, can I?

  • The Smurfs were created by cartoonist Peyo Culliford in 1958. Starting as characters in a comic strip, The Smurfs (known as “Les Schtroumpfs” in French, translated in Dutch to “Smurfs”, then adopted in English) became famous in America through the popular line of Wallace Berrie toys and figurines.
  • In 1981, Hanna-Barbera Productions produced the extremely popular animated series, which aired on NBC from 1981 to 1989. 
  • Smurfs are three-apples tall, and all of the original 100 were male. Later, that changed with the addition of Smurfette, and eventually Sassette. 
  • The mushroom houses Smurfs call home are not grown, but built.
  • The “Smurfberry” is based on the blueberry (in the off-chance that you hadn’t figured that out).
  • Peyo Culliford drew Smurfette over 300 different ways, and based her on his wife and daughter.
  • Controversy was created when some adults considered the show discriminatory in its portrayal of Smurfette. Additionally, there were some serious (and not so serious) comparisons made between Communism and the Smurf lifestyle.
  • During rehearsals for the 2011 production, the three-apple high Smurfs were each represented by a “life size” maquette that was 7½ inches tall.
  • Once filming began, each Smurf was represented by a different colored dot and the actors had to remember which dot was which Smurf.
  • Hank Azaria really did shave his head in real life to be Gargamel (the Smurf’s sworn enemy) in the film. The first makeup test for his character took 3 hours, but it eventually became a task that only took 90 minutes. He shaved his head to make the process faster. In the end, Hank Azaria had spent 130 hours in the makeup chair.
  • Tim Gunn (who plays Henri, an Executive Assistant at a major cosmetics company, in the film) had a chair on set, but never sat down for fear he would wrinkle his suit.
  • Six cats were on set to portray Azrael (Gargamel’s cat sidekick), but only four ended up actually working. One cat has only one scene, in which Azrael is seen licking his backend. A proud moment for any cat.
  • The Art Department created a contraption called Smurf-o-Vision; it allowed the user to see at Smurf level.
  • There are 1,014 visual effects shots in the film, along with 1,557 3D stereo shots.
  • It took 268 Sony Pictures Imageworks employees 358,000 hours to finish animating the Smurfs.  
  • To complete the movie, SPI computers required over 22,000,000 hours of rendering time. Some single frames had enough VFX and animation work that it took hours upon hours to render.
  • For the film, it was determined there are 115 “bones” in a Smurf skeleton.
  • There are 446 mushrooms in the Smurf village, and an additional 77 mushroom houses, for a total of 523 shrooms.
  • There are 102 Smurfs in the village (100 male Smurfs, one Papa, and one Smurfette). Three new Smurfs are introduced in the 2011 production. 

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